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Cultivating Extreme Art Cinema : Text, Paratext and Home Video Culture / Simon Hobbs.

By: Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2018Description: 1 online resource (240 p.) : 15 B/W illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9781474427371
  • 9781474427395
Subject(s): DDC classification:
  • 791.43/61
LOC classification:
  • PN1995.9.E96 H63 2018
  • PN1995.9.E96 H63 2018
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Figures -- Acknowledgements -- CHAPTER 1 Introduction -- CHAPTER 2 Art and Exploitation: Crossover, Slippage and Fluidity -- CHAPTER 3 Early Extremity on DVD: History, Precursors and Exploitation Auteurs -- CHAPTER 4 Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation -- CHAPTER 5 Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust -- CHAPTER 6 Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility -- CHAPTER 7 Michael Haneke: Glaciation, Legitimacy and Transgression -- CHAPTER 8 Lars von Trier: Provocation, Condemnation and Confrontation -- CHAPTER 9 Conclusion -- Bibliography -- Index
Summary: Examines the phenomenon of extreme cinema through an in-depth application of paratextual theoryUsing paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema: Text, Paratext, and Home Video Culture focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film and prepare the audience for a particular type of cinematic experience. The book discusses the complex interactions that take place on these commercial artefacts, the ways they communicate to both ‘highbrow’ and ‘lowbrow’ audiences, and the manner in which they breach tradition taste distinctions. Including case studies of features like Cannibal Holocaust, Funny Games and Antichrist, the book explores the complicated dichotomies between art and exploitation films to present a fluid history of extreme art cinema.Key featuresArgues for the critical and cultural significance of paratexts, and the DVD in particular, in shaping our interaction with extreme art cinemaProvides primary analysis to help examine existing debates surrounding extreme art cinema and its employment of exploitation traditionsIntroduces a novel area of paratextual investigation which moves away from the more traditional exploration of epiphenomena associated with large fan propertiesHighlights the way paratextual materials define the identity of a text through their application of certain signifiersComplicates the dichotomies between art and exploitation cinema to present a fluid history of extreme art cinemaInserts exploitation cinema more definitively into discourses of extreme art film
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781474427395

Frontmatter -- Contents -- Figures -- Acknowledgements -- CHAPTER 1 Introduction -- CHAPTER 2 Art and Exploitation: Crossover, Slippage and Fluidity -- CHAPTER 3 Early Extremity on DVD: History, Precursors and Exploitation Auteurs -- CHAPTER 4 Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation -- CHAPTER 5 Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust -- CHAPTER 6 Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility -- CHAPTER 7 Michael Haneke: Glaciation, Legitimacy and Transgression -- CHAPTER 8 Lars von Trier: Provocation, Condemnation and Confrontation -- CHAPTER 9 Conclusion -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Examines the phenomenon of extreme cinema through an in-depth application of paratextual theoryUsing paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema: Text, Paratext, and Home Video Culture focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film and prepare the audience for a particular type of cinematic experience. The book discusses the complex interactions that take place on these commercial artefacts, the ways they communicate to both ‘highbrow’ and ‘lowbrow’ audiences, and the manner in which they breach tradition taste distinctions. Including case studies of features like Cannibal Holocaust, Funny Games and Antichrist, the book explores the complicated dichotomies between art and exploitation films to present a fluid history of extreme art cinema.Key featuresArgues for the critical and cultural significance of paratexts, and the DVD in particular, in shaping our interaction with extreme art cinemaProvides primary analysis to help examine existing debates surrounding extreme art cinema and its employment of exploitation traditionsIntroduces a novel area of paratextual investigation which moves away from the more traditional exploration of epiphenomena associated with large fan propertiesHighlights the way paratextual materials define the identity of a text through their application of certain signifiersComplicates the dichotomies between art and exploitation cinema to present a fluid history of extreme art cinemaInserts exploitation cinema more definitively into discourses of extreme art film

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)