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The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature / Liu Hsieh.

By: Contributor(s): Material type: TextTextSeries: Records of Civilization. Sources and StudiesPublisher: New York, NY : Columbia University Press, [1959]Copyright date: ©1959Description: 1 online resourceContent type:
Media type:
Carrier type:
ISBN:
  • 9780231937429
  • 9780231895224
Subject(s): Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Acknowledgments -- Contents -- Introduction -- Preface -- I. On Tao, the Source -- II. Evidence from the Sage -- III. The Classics as Literary Sources -- IV. Emendation of Apocrypha -- V. An Analysis of Sao -- VI. An Exegesis of Poetry -- VII. Musical Poetry (Yüeh-fu) -- VIII. Elucidation of Fu -- IX. Ode and Pronouncement (The Sung and the Tsan) -- X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) -- XI. Inscription and Exhortation (The Ming and the Chen) -- XII. Elegy and Stone Inscription (The Lei and the Pei) -- XIII. Lament and Condolence (The Ai and the Tiao) -- XIV. Miscellaneous Writings -- XV. Humor and Enigma (The Hsieh and the Yin) -- XVI. Historical Writings -- XVII. Speculative Writings -- XVIII. Treatise and Discussion (The Lun and the Shuo) -- XIX. Edict and Script (The Chao and the Ts'e) -- XX. War Proclamation and Dispatch (The Hsi and the I) -- XXI. Sacrifices to Heaven and Earth (Feng Shan) -- XXII. Memorial, Part I (The Chang and the Piao) -- XXIII. Memorial, Part II (The Tsou and the Ch'i) -- XXIV. Discussion and Answer (The I and the Tui) -- XXV. Epistolary Writing (The Shu and the Chi) -- XXVI. Spiritual Thought or Imagination (Shen-ssu) -- XXVII. Style and Nature (T'i-hsing) -- XXVIII. The Wind and the Bone (Feng-ku) -- XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) -- XXX. On Choice of Style -- XXXI. Emotion and Literary Expression -- XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) -- XXXIII. Musicalness -- XXXIV. Paragraph and Sentence -- XXXV. Linguistic Parallelism -- XXXVI. Metaphor and Allegory (Pi and Hsing) -- XXXVII. Embellishment as Description -- XXXVIII. Factual Allusion and Textual Reference -- XXXIX. Philology and Choice of Words -- XL. The Recondite and the Conspicuous (Yin-hsiu) -- XLI. Literary Flaws -- XLII. The Nourishing of Vitality -- XLIII. Organization (Fu-hui) -- XLIV. Discussion on the Art of Writing (Tsung-shu) -- XLV. Literary Development and Time (Shih-hsu) -- XLVI. The Physical World -- XLVII. Literary Talents -- XLVIII. An Understanding Critic (Chih-Yin) -- XLIX. The Capacity of a Vessel (Ch'eng-ch'i) -- Glossary -- Index
Summary: Traces the origins of Chinese literature and the impact of nature by looking at Confucius, through the classics, poetry, and the relationship between music and poetry.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231895224

Frontmatter -- Acknowledgments -- Contents -- Introduction -- Preface -- I. On Tao, the Source -- II. Evidence from the Sage -- III. The Classics as Literary Sources -- IV. Emendation of Apocrypha -- V. An Analysis of Sao -- VI. An Exegesis of Poetry -- VII. Musical Poetry (Yüeh-fu) -- VIII. Elucidation of Fu -- IX. Ode and Pronouncement (The Sung and the Tsan) -- X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) -- XI. Inscription and Exhortation (The Ming and the Chen) -- XII. Elegy and Stone Inscription (The Lei and the Pei) -- XIII. Lament and Condolence (The Ai and the Tiao) -- XIV. Miscellaneous Writings -- XV. Humor and Enigma (The Hsieh and the Yin) -- XVI. Historical Writings -- XVII. Speculative Writings -- XVIII. Treatise and Discussion (The Lun and the Shuo) -- XIX. Edict and Script (The Chao and the Ts'e) -- XX. War Proclamation and Dispatch (The Hsi and the I) -- XXI. Sacrifices to Heaven and Earth (Feng Shan) -- XXII. Memorial, Part I (The Chang and the Piao) -- XXIII. Memorial, Part II (The Tsou and the Ch'i) -- XXIV. Discussion and Answer (The I and the Tui) -- XXV. Epistolary Writing (The Shu and the Chi) -- XXVI. Spiritual Thought or Imagination (Shen-ssu) -- XXVII. Style and Nature (T'i-hsing) -- XXVIII. The Wind and the Bone (Feng-ku) -- XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) -- XXX. On Choice of Style -- XXXI. Emotion and Literary Expression -- XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) -- XXXIII. Musicalness -- XXXIV. Paragraph and Sentence -- XXXV. Linguistic Parallelism -- XXXVI. Metaphor and Allegory (Pi and Hsing) -- XXXVII. Embellishment as Description -- XXXVIII. Factual Allusion and Textual Reference -- XXXIX. Philology and Choice of Words -- XL. The Recondite and the Conspicuous (Yin-hsiu) -- XLI. Literary Flaws -- XLII. The Nourishing of Vitality -- XLIII. Organization (Fu-hui) -- XLIV. Discussion on the Art of Writing (Tsung-shu) -- XLV. Literary Development and Time (Shih-hsu) -- XLVI. The Physical World -- XLVII. Literary Talents -- XLVIII. An Understanding Critic (Chih-Yin) -- XLIX. The Capacity of a Vessel (Ch'eng-ch'i) -- Glossary -- Index

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http://purl.org/coar/access_right/c_16ec

Traces the origins of Chinese literature and the impact of nature by looking at Confucius, through the classics, poetry, and the relationship between music and poetry.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)