Rites of the Republic : Citizens' Theatre and the Politics of Culture in Southern France / Mark Ingram.
Material type:
TextSeries: Teaching Culture: UTP Ethnographies for the ClassroomPublisher: Toronto : University of Toronto Press, [2011]Copyright date: ©2011Description: 1 online resource (240 p.)Content type: - 9781442601765
- 9781442693807
- 792.0944 22
- PN2044.F8 I55 2011eb
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
|
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9781442693807 |
Frontmatter -- Contents -- List Of Illustrations -- Acknowledgments -- Introduction -- 1. Defining Culture: State Cultural Policy And Discourse On The Arts In France -- 2. “Culture” In Local Perspective: The Trac Of Beaumes De Venise -- 3. The Friche La Belle De Mai: Redefining State Cultural Policy In “Euro-Mediterranean” Marseille -- 4. “Unity In Diversity” In Eu And Municipal Cultural Policy: Avignon And Marseille As European Capitals Of Culture -- 5. Performing “Citizens’ Theatre”: Rites Of The Republic Between Europe And The Mediterranean -- 6. “Citizens’ Theatre” In Post-Colonial Europe: New Foundations For The Politics Of Culture? -- Conclusion: The State, The Arts, And The Polis -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
In this fascinating exploration of citizenship and the politics of culture in contemporary France, Ingram examines two theatre troupes in Provence: one based in a small town in the rural part of the Vaucluse region, and the other an urban project in Marseille, France's most culturally diverse city. Both troupes are committed to explicitly civic goals in the tradition of citizens' theatre. Focusing on the personal stories of the theatre artists in these two troupes, and the continuities between their narratives, their performances, and the national discourse directed by the Ministry of Culture, Ingram examines the ways in which these artists interpret universalistic ideals underlying both art and the Republic in their theatrical work. In the process he charts the evolution of new models for society and citizenship in a rapidly changing France.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)

