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Peirce's Doctrine of Signs : Theory, Applications, and Connections / ed. by Thomas M. Olshewsky, Vincent M. Colapietro.

Contributor(s): Material type: TextTextSeries: Approaches to Semiotics [AS] ; 123Publisher: Berlin ; Boston : De Gruyter Mouton, [2011]Copyright date: ©1996Edition: Reprint 2011Description: 1 online resource (463 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110142525
  • 9783110873450
Subject(s): DDC classification:
  • 121/.68 20
LOC classification:
  • P85.P38 P45 1996
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Preface -- Contents -- Citations of Peirce's works -- Part 1. A general theory of signs: Its possibility and purpose -- General theories, vague utterances, and fruitful inquiries -- The philosophic significance of Peirce’s theory of signs -- Vagueness, generality, and undeciding otherness -- The Grand Vision -- Part 2. Peirce’s conception of semiosis: Presuppositions and articulations -- Peirce’s conception of habit -- Information and the metaphysical status of the sign -- Part 3. The components of semiosis -- The object of semeiotic -- Object and final cause in Peirce’s semeiotic -- Antetension, indexicality, and possible worlds -- The ground of semiosis: An implied theory of perspectival realism? -- Part 4. The classification of signs -- Peirce’s second classification of signs -- Peirce’s doctrine of symbol -- Symbol, ritual and cognition -- Index and icon revisited -- Part 5. The semiosis of metaphor -- Peirce and the interaction view of metaphor -- From pure icon to metaphor: Six degrees of iconicity -- On the neglect of Peirce’s views on metaphor in current theories of iconicity -- Peirce’s definition of metaphor and its consequences -- Part 6. Semiotics and aesthetics -- Aesthetic and artistic semiosis: A Peircean perspective -- Peirce on fiction: Introduction to an author-orientated semiotics -- Literary art: Meaning as a sign of possibility -- Arguments about icons -- Othello and Iago: Twins or opponents? On identity in literary semiotics -- Visual semiotics versus pragmaticism: Peirce and photography -- Music as icon: A critique of twentieth century music semiotic -- Part 7. Philosophy, linguistics and semiotics -- Sign structure and sign event in Saussure, Hjelmslev, and Peirce -- Relating European structuralist semiotics to American Peircean semeiotic -- Peirce and medieval semiotics -- Peirce and Derrida: From sign to sign -- Part 8. Semiotics and hermeneutics -- Peirce and hermeneutics -- Hermeneutic aspects in the light of Peirce’s methodology -- A word is not a sign: Hermeneutic semiotics and Peirce’s “Ethics of terminology” -- Peirce’s pragmatic maxim and K.-O. Apel’s idea of a contemplementary hermeneutical science -- Peirce, pragmatism, and interpretation theory -- The construction of a Peircean hermeneutics -- Index
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110873450

Frontmatter -- Preface -- Contents -- Citations of Peirce's works -- Part 1. A general theory of signs: Its possibility and purpose -- General theories, vague utterances, and fruitful inquiries -- The philosophic significance of Peirce’s theory of signs -- Vagueness, generality, and undeciding otherness -- The Grand Vision -- Part 2. Peirce’s conception of semiosis: Presuppositions and articulations -- Peirce’s conception of habit -- Information and the metaphysical status of the sign -- Part 3. The components of semiosis -- The object of semeiotic -- Object and final cause in Peirce’s semeiotic -- Antetension, indexicality, and possible worlds -- The ground of semiosis: An implied theory of perspectival realism? -- Part 4. The classification of signs -- Peirce’s second classification of signs -- Peirce’s doctrine of symbol -- Symbol, ritual and cognition -- Index and icon revisited -- Part 5. The semiosis of metaphor -- Peirce and the interaction view of metaphor -- From pure icon to metaphor: Six degrees of iconicity -- On the neglect of Peirce’s views on metaphor in current theories of iconicity -- Peirce’s definition of metaphor and its consequences -- Part 6. Semiotics and aesthetics -- Aesthetic and artistic semiosis: A Peircean perspective -- Peirce on fiction: Introduction to an author-orientated semiotics -- Literary art: Meaning as a sign of possibility -- Arguments about icons -- Othello and Iago: Twins or opponents? On identity in literary semiotics -- Visual semiotics versus pragmaticism: Peirce and photography -- Music as icon: A critique of twentieth century music semiotic -- Part 7. Philosophy, linguistics and semiotics -- Sign structure and sign event in Saussure, Hjelmslev, and Peirce -- Relating European structuralist semiotics to American Peircean semeiotic -- Peirce and medieval semiotics -- Peirce and Derrida: From sign to sign -- Part 8. Semiotics and hermeneutics -- Peirce and hermeneutics -- Hermeneutic aspects in the light of Peirce’s methodology -- A word is not a sign: Hermeneutic semiotics and Peirce’s “Ethics of terminology” -- Peirce’s pragmatic maxim and K.-O. Apel’s idea of a contemplementary hermeneutical science -- Peirce, pragmatism, and interpretation theory -- The construction of a Peircean hermeneutics -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)