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Animals and Other People : Literary Forms and Living Beings in the Long Eighteenth Century / Heather Keenleyside.

By: Material type: TextTextPublisher: Philadelphia : University of Pennsylvania Press, [2016]Copyright date: ©2017Description: 1 online resource (280 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780812248579
  • 9780812293302
Subject(s): DDC classification:
  • 820.9/36209033 22/eng/20230216
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Introduction. Animals and Other Figures -- Chapter 1. The Person: Poetry, Personification, and the Composition of Domestic Society -- Chapter 2. The Creature: Domestic Politics and the Novelistic Character -- Chapter 3. The Human: Satire and the Naturalization of the Person -- Chapter 4. The Animal: The Life Narrative as a Form of Life -- Chapter 5. The Child: The Fabulous Animal and the Family Pet -- Coda. Growing Human -- Notes -- Works Cited -- Index -- Acknowledgments
Summary: In Animals and Other People, Heather Keenleyside argues for the central role of literary modes of knowledge in apprehending animal life. Keenleyside focuses on writers who populate their poetry, novels, and children's stories with conspicuously figurative animals, experiment with conventional genres like the beast fable, and write the "lives" of mice as well as men. From such writers—including James Thomson, Daniel Defoe, Jonathan Swift, Laurence Sterne, Anna Letitia Barbauld, and others—she recovers a key insight about the representation of living beings: when we think and write about animals, we are never in the territory of strictly literal description, relying solely on the evidence of our senses. Indeed, any description of animals involves personification of a sort, if we understand personification not as a rhetorical ornament but as a fundamental part of our descriptive and conceptual repertoire, essential for distinguishing living beings from things.Throughout the book, animals are characterized by a distinctive mode of agency and generality; they are at once moving and being moved, at once individual beings and generic or species figures (every cat is also "The Cat"). Animals thus become figures with which to think about key philosophical questions about the nature of human agency and of social and political community. They also come into view as potential participants in that community, as one sort of "people" among others. Demonstrating the centrality of animals to an eighteenth-century literary and philosophical tradition, Animals and Other People also argues for the importance of this tradition to current discussions of what life is and how we might live together.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780812293302

Frontmatter -- Contents -- Introduction. Animals and Other Figures -- Chapter 1. The Person: Poetry, Personification, and the Composition of Domestic Society -- Chapter 2. The Creature: Domestic Politics and the Novelistic Character -- Chapter 3. The Human: Satire and the Naturalization of the Person -- Chapter 4. The Animal: The Life Narrative as a Form of Life -- Chapter 5. The Child: The Fabulous Animal and the Family Pet -- Coda. Growing Human -- Notes -- Works Cited -- Index -- Acknowledgments

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In Animals and Other People, Heather Keenleyside argues for the central role of literary modes of knowledge in apprehending animal life. Keenleyside focuses on writers who populate their poetry, novels, and children's stories with conspicuously figurative animals, experiment with conventional genres like the beast fable, and write the "lives" of mice as well as men. From such writers—including James Thomson, Daniel Defoe, Jonathan Swift, Laurence Sterne, Anna Letitia Barbauld, and others—she recovers a key insight about the representation of living beings: when we think and write about animals, we are never in the territory of strictly literal description, relying solely on the evidence of our senses. Indeed, any description of animals involves personification of a sort, if we understand personification not as a rhetorical ornament but as a fundamental part of our descriptive and conceptual repertoire, essential for distinguishing living beings from things.Throughout the book, animals are characterized by a distinctive mode of agency and generality; they are at once moving and being moved, at once individual beings and generic or species figures (every cat is also "The Cat"). Animals thus become figures with which to think about key philosophical questions about the nature of human agency and of social and political community. They also come into view as potential participants in that community, as one sort of "people" among others. Demonstrating the centrality of animals to an eighteenth-century literary and philosophical tradition, Animals and Other People also argues for the importance of this tradition to current discussions of what life is and how we might live together.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)