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Research Methods in Theatre and Performance / Baz Kershaw, Helen Nicholson.

By: Contributor(s): Material type: TextTextSeries: Research Methods for the Arts and Humanities : RMAHPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2011Description: 1 online resource (256 p.) : 16 B/W illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780748641581
  • 9780748646081
Subject(s): DDC classification:
  • 792.072 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgements -- List of Figures -- Introduction: Doing Methods Creatively -- 1. The Imperative of the Archive: Creative Archive Research -- 2. Researching Digital Performance: Virtual Practices -- 3. Practice as Research: Transdisciplinary Innovation in Action -- 4. Researching Theatre History and Historiography -- 5. Researching Scenography -- 6. Performer Training: Researching Practice in the Theatre Laboratory -- 7. The Question of Documentation: Creative Strategies in Performance Research -- 8. The Usefulness of Mess: Artistry, Improvisation and Decomposition in the Practice of Research in Applied Theatre -- 9. Researching the Body in/as Performance -- Notes on Contributors -- Index
Summary: Key Features Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings.Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets.Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary.Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth).
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748646081

Frontmatter -- Contents -- Acknowledgements -- List of Figures -- Introduction: Doing Methods Creatively -- 1. The Imperative of the Archive: Creative Archive Research -- 2. Researching Digital Performance: Virtual Practices -- 3. Practice as Research: Transdisciplinary Innovation in Action -- 4. Researching Theatre History and Historiography -- 5. Researching Scenography -- 6. Performer Training: Researching Practice in the Theatre Laboratory -- 7. The Question of Documentation: Creative Strategies in Performance Research -- 8. The Usefulness of Mess: Artistry, Improvisation and Decomposition in the Practice of Research in Applied Theatre -- 9. Researching the Body in/as Performance -- Notes on Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Key Features Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings.Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets.Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary.Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth).

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)