The Art of Anna Dorothea Therbusch (1721-1782) / Christina Lindeman.
Material type:
- 9789048556250
- 709.2 23/eng/20240916
- N6888.L57 L56 2023
- online - DeGruyter
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9789048556250 |
Frontmatter -- Table of Contents -- List of Illustrations -- Acknowledgements -- Introduction -- 1. A Woman Artist Painting Women -- 2. Collaboration as a Veil -- 3. Turning Back to the Dutch Masters -- 4. Arcanum, a New Red -- Epilogue -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
The Art of Anna Dorothea Therbusch (1721–1782) is the first English-language monograph on this exceptional German artist that critically examines Therbusch’s artworks and career as a history and mythological painter, portraitist, and maker of synthetic pigments within the German and international milieu that both condemned and celebrated her accomplishments. Adding to the excellent scholarship on French, British, Italian, and Swiss eighteenth-century women painters, this book showcases the social and cultural practices of court cultures beyond France, with a focus on German-speaking Europe and how a provocative woman painter navigated within them. Meticulous archival and literary research sheds new light on the importance of the family atelier as a place of networking, collaboration, and experimentation in the eighteenth century and provides a fresh perspective on the growing Prussian intellectual and mercantilist cultures and their impact on Therbusch’s artistic production and the unavoidable fluency between painting, the minor or luxury arts, and the laboratory. Therbusch's life and art enriches our understanding of female artistic agency and the complexities of pursuing a career in the male- and academy-dominated art world of the eighteenth century.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)