Library Catalog
Amazon cover image
Image from Amazon.com

Post-1990 Documentary : Reconfiguring Independence / Camille Deprez, Judith Pernin.

By: Contributor(s): Material type: TextTextPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2015Description: 1 online resource (280 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780748694136
  • 9780748694143
Subject(s): DDC classification:
  • 070.1/8 23
LOC classification:
  • PN1995.9.D6 P69 2015
  • PN1995.9.D6 P69 2015
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Summary: Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and stylesIn a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748694143

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Presents in-depth case studies focusing on major aspects of post-1990 documentary practices and stylesIn a post-1990 context of unrivalled creativity in documentary filmmaking, what does 'independence' really mean? With a broad selection of contributors, this is the first collection of in-depth case studies to cut across different media, formats, subject matters, purposes and national divides. Writing from a wide range of academic perspectives, contributors shed new light on historical, theoretical and empirical issues concerning independent documentary, to better comprehend the radical transformations of the form over the past twenty-five years. While the digital turn has been widely acknowledged as decisive in reshaping film practices, especially independent ones, this anthology aims at assessing its consequences without overestimating the impact of technology on other political, economic, social and cultural changes. Continuities as well as breaks are therefore put in perspective, with a particular focus on the interactions between these new practices and the established film and television industries. Divided into three main sections on 'History and Spaces of Resistance', 'The Personal Experience' and 'Displacement, Participation and Spectatorship', Post-1990 Documentary: Reconfiguring Independence provides an innovative interpretation of under-studied subject matters and styles, and rare analysis of differing production, distribution and exhibition strategies. It not only helps to rethink the notion of independence, but also contributes to a fundamental change in our perception of documentary filmmaking.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)