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American Twilight : The Cinema of Tobe Hooper / ed. by Kristopher Woofter, Will Dodson.

Contributor(s): Material type: TextTextPublisher: Austin : University of Texas Press, [2021]Copyright date: ©2021Description: 1 online resource (276 p.) : 50 b&w photosContent type:
Media type:
Carrier type:
ISBN:
  • 9781477322840
Subject(s): DDC classification:
  • 791.4302/33092 23
LOC classification:
  • PN1998.3.H686 A44 2021
  • PN1998.3.H686
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION “No Pleasure in Killing”: The Cinema of Tobe Hooper -- PART I HOOPER’S GOTHIC -- CHAPTER 1 “It’s Better to Be Suggestive:” Gothic Intertextuality and Hybridity in the 1980s Films of Tobe Hooper -- CHAPTER 2 Poltergeist: TV People and Suburban Rage Monsters -- CHAPTER 3 Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment in The Funhouse, Invaders from Mars, and Mortuary -- CHAPTER 4 Salem’s Lot: Tobe Hooper’s Gothic Peyton Place -- CHAPTER 5 Feeding the Industrial Monster: A Critical Reconsideration of Tobe Hooper’s The Mangler -- CHAPTER 6 Unsettled Architecture and Avant-Garde Strategies in Tobe Hooper’s Down Friday Street, Toolbox Murders, and Djinn -- PART II EMBODIMENT -- CHAPTER 7 Nightmare Images: Tobe Hooper on Horror and Aging -- CHAPTER 8 Experimental Sorcery in Tobe Hooper’s Eggshells -- CHAPTER 9 Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe Hooper’s Eaten Alive and Crocodile -- CHAPTER 10 “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s Anxious Men -- CHAPTER 11 Bad Touches: Spontaneous Combustion in the Aftermath of the Nuclear Family -- PART III PRODUCTION AND INDUSTRY -- CHAPTER 12 Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s Golan- Globus Films -- CHAPTER 13 Hooper’s Hollywood: Investigating Occult Spaces in Toolbox Murders -- CHAPTER 14 Songs in the Key of Death: Tobe Hooper’s “Dancing with Myself ” and “Dance of the Dead” -- CHAPTER 15 The Past Infects the Present: Abjection and Identity in Tobe Hooper’s 1990s TV and Video Productions -- CHAPTER 16 “Get Back to Work!”: Critiquing the Hollywood-Industrial Complex in The Mangler -- PART IV THE AMERICAN TWILIGHT -- CHAPTER 17 The Texas Chain Saw Massacre Begins -- CHAPTER 18 Tobe Hooper and the American Twilight -- APPENDIX Cross-Referenced Tobe Hooper Filmography -- REFERENCES -- CONTRIBUTORS -- INDEX
Summary: Tobe Hooper's productions, which often trespassed upon the safety of the family unit, cast a critical eye toward an America in crisis. Often dismissed by scholars and critics as a one-hit wonder thanks to his 1974 horror classic The Texas Chain Saw Massacre, Hooper nevertheless was instrumental in the development of a robust and deeply political horror genre from the 1960s until his death in 2017. In American Twilight, the authors assert that the director was an auteur whose works featured complex monsters and disrupted America’s sacrosanct perceptions of prosperity and domestic security. American Twilight focuses on the skepticism toward American institutions and media and the articulation of uncanny spaces so integral to Hooper’s vast array of feature and documentary films, made-for-television movies, television episodes, and music videos. From Egg Shells (1969) to Poltergeist (1982), Djinn (2013), and even Billy Idol’s music video for “Dancing with Myself” (1985), Tobe Hooper provided a singular directorial vision that investigated masculine anxiety and subverted the idea of American exceptionalism.
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Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781477322840

Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION “No Pleasure in Killing”: The Cinema of Tobe Hooper -- PART I HOOPER’S GOTHIC -- CHAPTER 1 “It’s Better to Be Suggestive:” Gothic Intertextuality and Hybridity in the 1980s Films of Tobe Hooper -- CHAPTER 2 Poltergeist: TV People and Suburban Rage Monsters -- CHAPTER 3 Tobe Hooper’s Teenage Wasteland: Youth and Disillusionment in The Funhouse, Invaders from Mars, and Mortuary -- CHAPTER 4 Salem’s Lot: Tobe Hooper’s Gothic Peyton Place -- CHAPTER 5 Feeding the Industrial Monster: A Critical Reconsideration of Tobe Hooper’s The Mangler -- CHAPTER 6 Unsettled Architecture and Avant-Garde Strategies in Tobe Hooper’s Down Friday Street, Toolbox Murders, and Djinn -- PART II EMBODIMENT -- CHAPTER 7 Nightmare Images: Tobe Hooper on Horror and Aging -- CHAPTER 8 Experimental Sorcery in Tobe Hooper’s Eggshells -- CHAPTER 9 Lizard Brain Ouroboros: Human Antiexceptionalism in Tobe Hooper’s Eaten Alive and Crocodile -- CHAPTER 10 “Sex or the Saw, Boy, What’s It Gonna Be?”: Tobe Hooper’s Anxious Men -- CHAPTER 11 Bad Touches: Spontaneous Combustion in the Aftermath of the Nuclear Family -- PART III PRODUCTION AND INDUSTRY -- CHAPTER 12 Can(n)onical Hooper: A Reconsideration of Tobe Hooper’s Golan- Globus Films -- CHAPTER 13 Hooper’s Hollywood: Investigating Occult Spaces in Toolbox Murders -- CHAPTER 14 Songs in the Key of Death: Tobe Hooper’s “Dancing with Myself ” and “Dance of the Dead” -- CHAPTER 15 The Past Infects the Present: Abjection and Identity in Tobe Hooper’s 1990s TV and Video Productions -- CHAPTER 16 “Get Back to Work!”: Critiquing the Hollywood-Industrial Complex in The Mangler -- PART IV THE AMERICAN TWILIGHT -- CHAPTER 17 The Texas Chain Saw Massacre Begins -- CHAPTER 18 Tobe Hooper and the American Twilight -- APPENDIX Cross-Referenced Tobe Hooper Filmography -- REFERENCES -- CONTRIBUTORS -- INDEX

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Tobe Hooper's productions, which often trespassed upon the safety of the family unit, cast a critical eye toward an America in crisis. Often dismissed by scholars and critics as a one-hit wonder thanks to his 1974 horror classic The Texas Chain Saw Massacre, Hooper nevertheless was instrumental in the development of a robust and deeply political horror genre from the 1960s until his death in 2017. In American Twilight, the authors assert that the director was an auteur whose works featured complex monsters and disrupted America’s sacrosanct perceptions of prosperity and domestic security. American Twilight focuses on the skepticism toward American institutions and media and the articulation of uncanny spaces so integral to Hooper’s vast array of feature and documentary films, made-for-television movies, television episodes, and music videos. From Egg Shells (1969) to Poltergeist (1982), Djinn (2013), and even Billy Idol’s music video for “Dancing with Myself” (1985), Tobe Hooper provided a singular directorial vision that investigated masculine anxiety and subverted the idea of American exceptionalism.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)