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Sanctioning Modernism : Architecture and the Making of Postwar Identities / ed. by Vladimir Kulic, Timothy Parker, Monica Penick.

Contributor(s): Material type: TextTextSeries: Roger Fullington Series in ArchitecturePublisher: Austin : University of Texas Press, [2021]Copyright date: ©2014Description: 1 online resource (304 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780292760646
Subject(s): DDC classification:
  • 724.6
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Foreword -- Preface -- Acknowledgments -- Introduction. Writing History: Reflections on the Story of Midcentury Modern Architecture -- PART I. MODERNISM AND THE STATE -- Introduction -- 1. Bucharest: Th e City Transfigured -- 2. The Scope of Socialist Modernism: Architecture and State Representation in Postwar Yugoslavia -- 3. Czechoslovakia’s Model Housing Developments: Modern Architecture for the Socialist Future -- 4. Sanctioning Modernism and Tradition: Italian Architecture, the Vernacular, and the State -- PART II. MAKING RELIGION MODERN -- Introduction -- 5. Uncertainty and the Modern Church: Two Roman Catholic Cathedrals in Britain -- 6. “Humanly sublime tensions”: Luigi Moretti’s Chiesa del Concilio (1965–1970) -- 7. Modernism and the Concept of Reform: Liturgy and Liturgical Architecture -- PART III: MODERNISM AND DOMESTICITY -- Introduction -- 8. “Technologically” Modern: Th e Prefabricated House and the Wartime Experience of Skidmore, Owings and Merrill -- 9. “Modern but not too modern”: House Beautiful and the American Style -- 10. House and Haunted Garden -- Further Reading -- Contributors -- Index
Summary: In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction—and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be “modern,” what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture. This volume presents focused case studies of modern architecture in three realms—political, religious, and domestic—that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292760646

Frontmatter -- Contents -- Foreword -- Preface -- Acknowledgments -- Introduction. Writing History: Reflections on the Story of Midcentury Modern Architecture -- PART I. MODERNISM AND THE STATE -- Introduction -- 1. Bucharest: Th e City Transfigured -- 2. The Scope of Socialist Modernism: Architecture and State Representation in Postwar Yugoslavia -- 3. Czechoslovakia’s Model Housing Developments: Modern Architecture for the Socialist Future -- 4. Sanctioning Modernism and Tradition: Italian Architecture, the Vernacular, and the State -- PART II. MAKING RELIGION MODERN -- Introduction -- 5. Uncertainty and the Modern Church: Two Roman Catholic Cathedrals in Britain -- 6. “Humanly sublime tensions”: Luigi Moretti’s Chiesa del Concilio (1965–1970) -- 7. Modernism and the Concept of Reform: Liturgy and Liturgical Architecture -- PART III: MODERNISM AND DOMESTICITY -- Introduction -- 8. “Technologically” Modern: Th e Prefabricated House and the Wartime Experience of Skidmore, Owings and Merrill -- 9. “Modern but not too modern”: House Beautiful and the American Style -- 10. House and Haunted Garden -- Further Reading -- Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction—and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be “modern,” what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture. This volume presents focused case studies of modern architecture in three realms—political, religious, and domestic—that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)