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Deleuze and Film / David Martin-Jones, William Brown.

By: Contributor(s): Material type: TextTextSeries: Deleuze Connections : DECOPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2012Description: 1 online resource (248 p.) : 3 B/W line artContent type:
Media type:
Carrier type:
ISBN:
  • 9780748641215
  • 9780748647460
Subject(s): DDC classification:
  • 791.4301
LOC classification:
  • PN1995
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgements -- Introduction: Deleuze’s World Tour of Cinema -- 1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History -- 2 Philosophy, Politics and Homage in Tears of the Black Tiger -- 3 Time-Images in Traces of Love: Repackaging South Korea’s Traumatic National History for Tourism -- 4 The Rebirth of the World: Cinema According to Baz Luhrmann -- 5 ‘There are as many paths to the time-image as there are fi lms in the world’: Deleuze and The Lizard -- 6 In Search of Lost Reality: Waltzing with Bashir -- 7 The Schizoanalysis of European Surveillance Films -- 8 Fictions of the Imagination: Habit, Genre and the Powers of the False -- 9 Feminine Energies, or the Outside of Noir -- 10 The Daemons of Unplumbed Space: Mixing the Planes in Hellboy -- 11 Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do? -- 12 The Surface of the Object: Quasi-Interfaces and Immanent Virtuality -- Notes on Contributors -- Index
Summary: A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.Key FeaturesAnalyses several Asian films, including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love and the Iranian comedy The LizardDiscusses American film noir, recent European art films such as Red Road and The Lives of Others and Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button Includes a dedicated chapter on the animated documentary Waltz with BashirStudies host of different directors from Rainer Werner Fassbinder to Baz Luhrmann
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748647460

Frontmatter -- Contents -- Acknowledgements -- Introduction: Deleuze’s World Tour of Cinema -- 1 An Imprint of Godzilla: Deleuze, the Action-Image and Universal History -- 2 Philosophy, Politics and Homage in Tears of the Black Tiger -- 3 Time-Images in Traces of Love: Repackaging South Korea’s Traumatic National History for Tourism -- 4 The Rebirth of the World: Cinema According to Baz Luhrmann -- 5 ‘There are as many paths to the time-image as there are fi lms in the world’: Deleuze and The Lizard -- 6 In Search of Lost Reality: Waltzing with Bashir -- 7 The Schizoanalysis of European Surveillance Films -- 8 Fictions of the Imagination: Habit, Genre and the Powers of the False -- 9 Feminine Energies, or the Outside of Noir -- 10 The Daemons of Unplumbed Space: Mixing the Planes in Hellboy -- 11 Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do? -- 12 The Surface of the Object: Quasi-Interfaces and Immanent Virtuality -- Notes on Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

A wide-ranging collection of essays on the film-philosophy of Gilles DeleuzeDeleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.Key FeaturesAnalyses several Asian films, including Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love and the Iranian comedy The LizardDiscusses American film noir, recent European art films such as Red Road and The Lives of Others and Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button Includes a dedicated chapter on the animated documentary Waltz with BashirStudies host of different directors from Rainer Werner Fassbinder to Baz Luhrmann

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)