Library Catalog
Amazon cover image
Image from Amazon.com

Musicking in Twentieth-Century Europe : A Handbook / ed. by Klaus Nathaus, Martin Rempe.

Contributor(s): Material type: TextTextSeries: Contemporary European History ; 2Publisher: München ; Wien : De Gruyter Oldenbourg, [2020]Copyright date: ©2021Description: 1 online resource (VII, 466 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110648089
  • 9783110648218
  • 9783110651966
Subject(s): DDC classification:
  • 940.5 23
LOC classification:
  • D652 .M87 2020
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Table of Contents -- On the “Contemporary European History” Handbook Series -- 1 Introduction: Musicking in Twentieth-Century Europe -- Part I: Originating Music -- 2 Diversifying Composition: Practices of Inventing Music -- 3 Performing for Pay: The Making and Undoing of the Music Profession -- 4 Driven by Enthusiasm, Harnessed by Politics: Amateuring in Music -- Part II: Managing Music -- 5 Prestige, Profit, and the Right to Culture: Funding Music Through the State -- 6 Cultures of Donating: Musical Patronage -- 7 Commodifying Music: Tickets, Copies, and Licenses -- Part III: Mediating Music -- 8 Creating Maps, Generating Meanings: Music Criticism -- 9 Sounds, Tracks, and Signals: Recording Music -- 10 Sounds on Air: Musicalizing Radio—Radiofying Music -- Part IV: Socializing in Music -- 11 Socially Engaging with Music: Pleasure, Distinction, and Identity -- 12 Getting Together to “Get Down”: Social Dancing from Dance Hall to Rave -- 13 Extending the Sonic Bubble: Solitary Listening as a Technology of the Self -- Part V: Politicizing Music -- 14 Conducting the Masses: State Propaganda and Censorship -- 15 Performing for the Nation: Perspectives on Musical Diplomacy -- 16 Shouting Back: Popular Music and Protest -- Part VI: Globalizing Music -- 17 Glocal Invasions: Appropriating Music from Abroad -- 18 Global Connections: Attuning to European Music Abroad -- 19 Backstage Integration: Europeanizing Musical Life Through International Organizations -- List of Contributors -- Index
Summary: Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110651966

Frontmatter -- Table of Contents -- On the “Contemporary European History” Handbook Series -- 1 Introduction: Musicking in Twentieth-Century Europe -- Part I: Originating Music -- 2 Diversifying Composition: Practices of Inventing Music -- 3 Performing for Pay: The Making and Undoing of the Music Profession -- 4 Driven by Enthusiasm, Harnessed by Politics: Amateuring in Music -- Part II: Managing Music -- 5 Prestige, Profit, and the Right to Culture: Funding Music Through the State -- 6 Cultures of Donating: Musical Patronage -- 7 Commodifying Music: Tickets, Copies, and Licenses -- Part III: Mediating Music -- 8 Creating Maps, Generating Meanings: Music Criticism -- 9 Sounds, Tracks, and Signals: Recording Music -- 10 Sounds on Air: Musicalizing Radio—Radiofying Music -- Part IV: Socializing in Music -- 11 Socially Engaging with Music: Pleasure, Distinction, and Identity -- 12 Getting Together to “Get Down”: Social Dancing from Dance Hall to Rave -- 13 Extending the Sonic Bubble: Solitary Listening as a Technology of the Self -- Part V: Politicizing Music -- 14 Conducting the Masses: State Propaganda and Censorship -- 15 Performing for the Nation: Perspectives on Musical Diplomacy -- 16 Shouting Back: Popular Music and Protest -- Part VI: Globalizing Music -- 17 Glocal Invasions: Appropriating Music from Abroad -- 18 Global Connections: Attuning to European Music Abroad -- 19 Backstage Integration: Europeanizing Musical Life Through International Organizations -- List of Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)