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Uncanny Bodies : Superhero Comics and Disability / ed. by Scott T. Smith, José Alaniz.

Contributor(s): Material type: TextTextSeries: Graphic Medicine ; 18Publisher: University Park, PA : Penn State University Press, [2019]Copyright date: 2020Description: 1 online resource (248 p.) : 36 illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780271086323
Subject(s): DDC classification:
  • 741.5/9 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Uncanny Bodies -- 1 “Mechanical Boys” Omega the Unknown on the Spectrum -- 2. Sane Superheroes Mental Distress in the Gutters of Moon Knight -- 3. Echo. The Silence Between the Notes -- 4 Mistress of Cyberspace. Oracle, Disability, and the Cyborg -- 5 More than a Retcon Replacement. Disability, Blackness, and Sexuality in the Origin of Operator -- 6. “Okay . . . This Looks Bad” Disability, Masculinity, and Ambivalence in Matt Fraction and David Aja’s Hawkeye -- 7. The deaf Issue Hawkeye #19 and Deaf Accessibility in the Comics Medium -- 8. That Hawkguy Deaf and Disability Gain in Matt Fraction and David Aja’s Hawkeye -- 9. Dialectical Identity Silver Scorpion as Disabled/Superhero -- 10. “Of Course, I Am a Hero” Disability as Posthuman Ideal in Cece Bell’s El Deafo -- 11 Unraveling the Supercrip: Superheroes as Subversion, a Personal Essay in Comic Form -- Fearsome Possibilities: An Afterword -- List of Contributors -- Index
Summary: Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world.Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture.In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780271086323

Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Uncanny Bodies -- 1 “Mechanical Boys” Omega the Unknown on the Spectrum -- 2. Sane Superheroes Mental Distress in the Gutters of Moon Knight -- 3. Echo. The Silence Between the Notes -- 4 Mistress of Cyberspace. Oracle, Disability, and the Cyborg -- 5 More than a Retcon Replacement. Disability, Blackness, and Sexuality in the Origin of Operator -- 6. “Okay . . . This Looks Bad” Disability, Masculinity, and Ambivalence in Matt Fraction and David Aja’s Hawkeye -- 7. The deaf Issue Hawkeye #19 and Deaf Accessibility in the Comics Medium -- 8. That Hawkguy Deaf and Disability Gain in Matt Fraction and David Aja’s Hawkeye -- 9. Dialectical Identity Silver Scorpion as Disabled/Superhero -- 10. “Of Course, I Am a Hero” Disability as Posthuman Ideal in Cece Bell’s El Deafo -- 11 Unraveling the Supercrip: Superheroes as Subversion, a Personal Essay in Comic Form -- Fearsome Possibilities: An Afterword -- List of Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world.Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture.In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)