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The New Romanian Cinema / Dana Duma, Christina Stojanova.

By: Contributor(s): Material type: TextTextSeries: Traditions in World Cinema : TWCPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2019Description: 1 online resource (344 p.) : 36 B/W illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780748642649
  • 9780748696444
Subject(s): Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- List of Figures -- Notes on the Contributors -- Acknowledgements -- Traditions in World Cinema -- Introduction -- PART I. MODERNISM/MINIMALISM -- 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema -- 2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged? -- 3. No Melo: Minimalism and Melodrama in the New Romanian Cinema -- PART II. INTERMEDIALITY/INTERTEXTUALITY -- 4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu -- 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo -- 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films -- 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu -- PART III. ETHICS/NEW AESTHETICS -- 8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’ -- 9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema -- 10. Beyond the Hills and Austerity Politics -- PART IV. GENDER/GENRE -- 11. Woman Films: Body and Will -- 12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity? -- PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE -- 13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema -- 14. New Romanian Cinema: Geography and Identity -- 15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema -- PART VI. HISTORICAL OVERVIEW -- 16. Historical Overview of Romanian Cinema -- Combined Bibliography -- Filmography of the New Romanian Cinema -- General Filmography -- Index of Authors and Film Titles -- Index of Terms and Concepts
Summary: The first collection of essays to comprehensively map out New Romanian CinemaCovering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the first to contextualise it aesthetically, theoretically and historically. Scholars from across Europe and North America are brought together, reflecting on the realism, minimalism and intermedial artifice of New Romanian cinemas, on its approaches to issues of national and gender identity, and on its unique convergence of ethics and aesthetics. With its thorough bibliographic and filmographic references, and a comprehensive historical overview, the anthology represents a systematic guide to New Romanian Cinema as a consolidated cinematic movement, and highlights its potential as a rich interdisciplinary field of study.ContributorsMelinda Blos-Jáni, Sapientia University, Cluj-NapocaMircea Deaca, University of BucharestDana Duma, Bucharest National University of Theatre and FilmKalling Heck, University of RedlandsRaluca Iacob, independent researcher and film curatorLiviu Lutas, Linnaeus UniversitDominique Nasta, Université Libre de BruxellesÁgnes Pethő, Sapientia Hungarian University, Cluj-NapocaDoru Pop, Babeş-Bolyai University, ClujKatalin Sándor, Babeş-Bolyai University, ClujChristina Stojanova, University of ReginaIrina Trocan, Bucharest National University of Theatre and FilmMarian Țuțui, Hyperion UniversityIoana Uricaru, Middlebury CollegeAndrea Virginás, Sapientia University, Cluj-Napoca
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Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748696444

Frontmatter -- CONTENTS -- List of Figures -- Notes on the Contributors -- Acknowledgements -- Traditions in World Cinema -- Introduction -- PART I. MODERNISM/MINIMALISM -- 1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema -- 2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged? -- 3. No Melo: Minimalism and Melodrama in the New Romanian Cinema -- PART II. INTERMEDIALITY/INTERTEXTUALITY -- 4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu -- 5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo -- 6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films -- 7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu -- PART III. ETHICS/NEW AESTHETICS -- 8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’ -- 9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema -- 10. Beyond the Hills and Austerity Politics -- PART IV. GENDER/GENRE -- 11. Woman Films: Body and Will -- 12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity? -- PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE -- 13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema -- 14. New Romanian Cinema: Geography and Identity -- 15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema -- PART VI. HISTORICAL OVERVIEW -- 16. Historical Overview of Romanian Cinema -- Combined Bibliography -- Filmography of the New Romanian Cinema -- General Filmography -- Index of Authors and Film Titles -- Index of Terms and Concepts

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The first collection of essays to comprehensively map out New Romanian CinemaCovering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the first to contextualise it aesthetically, theoretically and historically. Scholars from across Europe and North America are brought together, reflecting on the realism, minimalism and intermedial artifice of New Romanian cinemas, on its approaches to issues of national and gender identity, and on its unique convergence of ethics and aesthetics. With its thorough bibliographic and filmographic references, and a comprehensive historical overview, the anthology represents a systematic guide to New Romanian Cinema as a consolidated cinematic movement, and highlights its potential as a rich interdisciplinary field of study.ContributorsMelinda Blos-Jáni, Sapientia University, Cluj-NapocaMircea Deaca, University of BucharestDana Duma, Bucharest National University of Theatre and FilmKalling Heck, University of RedlandsRaluca Iacob, independent researcher and film curatorLiviu Lutas, Linnaeus UniversitDominique Nasta, Université Libre de BruxellesÁgnes Pethő, Sapientia Hungarian University, Cluj-NapocaDoru Pop, Babeş-Bolyai University, ClujKatalin Sándor, Babeş-Bolyai University, ClujChristina Stojanova, University of ReginaIrina Trocan, Bucharest National University of Theatre and FilmMarian Țuțui, Hyperion UniversityIoana Uricaru, Middlebury CollegeAndrea Virginás, Sapientia University, Cluj-Napoca

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)