The Arts in Nazi Germany : Continuity, Conformity, Change / ed. by Francis R. Nicosia, Jonathan Huener.
Material type:
- 9781845453596
- 9780857457004
- 700.943/09043 22
- NX550.A1 .A85 2009eb
- online - DeGruyter
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780857457004 |
Frontmatter -- Contents -- Preface -- Introduction The Arts in Nazi Germany: Continuity, Conformity, Change -- Chapter One Anti-Semitism and the Arts in Nazi Ideology and Policy -- Chapter Two The Impact of American Popular Culture on German Youth -- Chapter Three The Legacy of Nazi Cinema: Triumph of the Will and Jew Süss Revisited -- Chapter Four Music in the Third Reich: The Complex Task of “Germanization” -- Chapter Five A Command Performance? The Many Fac es of Literat ure under Nazism -- Chapter Six The Art World in Nazi Germany: Choices, Rationalization, and Justice -- Appendixes -- APPENDIX A Letter from Wilhelm Furtwängler to Joseph Goebbels -- APPENDIX B Law for the Establishment of a Provisional Chamber of Film -- APPENDIX C The Reich Chamber of Culture Law -- APPENDIX D First Decree for the Implementation of the Law for the Reich Chamber of Culture -- APPENDIX E Activities of the Cultural Association of German Jews [Jewish Cultural League] -- APPENDIX F The German Authorities and the Cultural Association of German Jews [Jewish Cultural League] -- APPENDIX G Ten Principles for the Creation of German Music -- APPENDIX H From Hitler’s “Speech on Culture” (Kulturrede) -- APPENDIX I What Are People Reading? A Questionnaire in Berlin Book Stores -- CONTRIBUTORS -- Selected Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945. Hitler and his followers believed that art and culture were expressions of race, and that “Aryans” alone were capable of creating true art and preserving true German culture. This volume’s essays explore these and other aspects of the arts and cultural life under National Socialism, and are authored by some of the most respected authorities in the field: Alan Steinweis, Michael Kater, Eric Rentschler, Pamela Potter, Frank Trommler, and Jonathan Petropoulos. The result is a volume that offers students and interested readers a brief but focused introduction to this important aspect of the history of Nazi Germany.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)