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Eastwood's Iwo Jima : Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima / ed. by Rikke Schubart, Anne Gjelsvik.

Contributor(s): Material type: TextTextPublisher: New York, NY : Columbia University Press, [2013]Copyright date: ©2013Description: 1 online resource (256 p.) : 15Content type:
Media type:
Carrier type:
ISBN:
  • 9780231165655
  • 9780231850438
Subject(s): DDC classification:
  • 791.436581 23
LOC classification:
  • PN1995.9.W3
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction: Know Your Enemy, Know Yourself -- Part One. History -- The Making and Remakings of an American Icon: 'Raising the Flag on Iwo Jima' from Photojournalism to Global, Digital Media -- The Forgotten Cinematographer of Mount Suribachi: Bill Genaust's Eight-Second Iwo Jima Footage and the Historical Facsimile -- Flags of Their Stepfathers? Race and Culture in the Context of Military Service and the Fight for Citizenship -- Part Two. Flags of Our Fathers -- Following the Flag in American Film -- Care or Glory? Picturing a New War Hero -- Beyond Mimesis: War, History, and Memory in Flags of Our Fathers -- Clint Eastwood's Postclassical Multiple Narratives of Iwo Jima -- Haunting in the War Film: Flags of Our Fathers -- Part Three. Letters From Iwo Jima -- Eastwood and the Enemy -- East of Eastwood: Iwo Jima and the Japanese Context -- Humanism versus Patriotism: Eastwood Trapped in the Bi-polar Logic of Warfare -- Suicide in Letters from Iwo Jima -- Part Four. War Today -- To Sell A War: Flags, Lies, And Tragedy -- Banzai! Letters from Iwo Jima and Choosing the Enemy in Risk Society -- Filmography -- Index
Summary: With Flags of Our Fathers (2006) and Letters from Iwo Jima (2006), Clint Eastwood made a unique contribution to film history, being the first director to make two films about the same event. Eastwood's films examine the battle over Iwo Jima from two nations' perspectives, in two languages, and embody a passionate view on conflict, enemies, and heroes. Together these works tell the story behind one of history's most famous photographs, Leo Rosenthal's "Raising the Flag on Iwo Jima." In this volume, international scholars in political science and film, literary, and cultural studies undertake multifaceted investigations into how Eastwood's diptych reflects war today. Fifteen essays explore the intersection among war films, American history, and Japanese patriotism. They present global attitudes toward war memories, icons, and heroism while offering new perspectives on cinema, photography, journalism, ethics, propaganda, war strategy, leadership, and the war on terror.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231850438

Frontmatter -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction: Know Your Enemy, Know Yourself -- Part One. History -- The Making and Remakings of an American Icon: 'Raising the Flag on Iwo Jima' from Photojournalism to Global, Digital Media -- The Forgotten Cinematographer of Mount Suribachi: Bill Genaust's Eight-Second Iwo Jima Footage and the Historical Facsimile -- Flags of Their Stepfathers? Race and Culture in the Context of Military Service and the Fight for Citizenship -- Part Two. Flags of Our Fathers -- Following the Flag in American Film -- Care or Glory? Picturing a New War Hero -- Beyond Mimesis: War, History, and Memory in Flags of Our Fathers -- Clint Eastwood's Postclassical Multiple Narratives of Iwo Jima -- Haunting in the War Film: Flags of Our Fathers -- Part Three. Letters From Iwo Jima -- Eastwood and the Enemy -- East of Eastwood: Iwo Jima and the Japanese Context -- Humanism versus Patriotism: Eastwood Trapped in the Bi-polar Logic of Warfare -- Suicide in Letters from Iwo Jima -- Part Four. War Today -- To Sell A War: Flags, Lies, And Tragedy -- Banzai! Letters from Iwo Jima and Choosing the Enemy in Risk Society -- Filmography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

With Flags of Our Fathers (2006) and Letters from Iwo Jima (2006), Clint Eastwood made a unique contribution to film history, being the first director to make two films about the same event. Eastwood's films examine the battle over Iwo Jima from two nations' perspectives, in two languages, and embody a passionate view on conflict, enemies, and heroes. Together these works tell the story behind one of history's most famous photographs, Leo Rosenthal's "Raising the Flag on Iwo Jima." In this volume, international scholars in political science and film, literary, and cultural studies undertake multifaceted investigations into how Eastwood's diptych reflects war today. Fifteen essays explore the intersection among war films, American history, and Japanese patriotism. They present global attitudes toward war memories, icons, and heroism while offering new perspectives on cinema, photography, journalism, ethics, propaganda, war strategy, leadership, and the war on terror.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)