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Classical Polyphony / P. Samuel Rubio.

By: Contributor(s): Material type: TextTextSeries: HeritagePublisher: Toronto : University of Toronto Press, [1972]Copyright date: ©1972Description: 1 online resource (212 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781487580599
  • 9781487579395
Subject(s): DDC classification:
  • 781.42 23
LOC classification:
  • ML174
Other classification:
  • online - DeGruyter
Online resources: Summary: The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Española, Madrid -- 1964). Text books -- in English -- on the subject of sixteenth-century counterpoint are numerous and excellent; but none discusses the classical polyphonic style with quite the understanding affection that Father Rubio brings to this task. His treatment of notation, time-signatures, the modes, chromatic alteration, is supported by opposite "ation from sixteenth-century authorities and his discussion of form and texture are based on a knowledge derived from wide experience in performance as well as close analytical study.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781487579395

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The name of P. Samuel Rubio is known to students of Renaissance polyphony for his scholarly articles in learned periodicals, his editorship of different collections of sacred polyphony, and through his edition of the motets of Victory -- Tomás Luis de Victoria, Motetes, Vols. 1-4 (union Musical Española, Madrid -- 1964). Text books -- in English -- on the subject of sixteenth-century counterpoint are numerous and excellent; but none discusses the classical polyphonic style with quite the understanding affection that Father Rubio brings to this task. His treatment of notation, time-signatures, the modes, chromatic alteration, is supported by opposite "ation from sixteenth-century authorities and his discussion of form and texture are based on a knowledge derived from wide experience in performance as well as close analytical study.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)