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Emotions, Ethics, and Cinematic Experience : New Phenomenological and Cognitivist Perspectives / ed. by Robert Sinnerbrink.

Contributor(s): Material type: TextTextPublisher: New York ; Oxford : Berghahn Books, [2021]Copyright date: ©2021Description: 1 online resource (144 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9781800731448
  • 9781800731462
Subject(s): DDC classification:
  • 791.430 9 23
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Illustrations -- Preface -- Introduction: Phenomenology Encounters Cognitivism -- Chapter 1 Fascist Affect in 300 -- Chapter 2 Other Sides Loving and Grieving with Heart of a Dog and Merleau-Ponty’s Depth -- Chapter 3 Elemental Imagination and Film Experience: Climate Change and the Cinematic Ethics of Immersive Filmworlds -- Chapter 4 Toward a Model of Distributed Affectivity for Cinematic Ethics Ethical Experience, Trauma, and History -- Chapter 5 Grey Gardens and the Problem of Objectivity: Notes on the Ethics of Observational Documentary -- Chapter 6 Synthetic Beings and Synthespian Ethics: Embodiment Technologies in Science/Fiction -- Index
Summary: Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781800731462

Frontmatter -- Contents -- Illustrations -- Preface -- Introduction: Phenomenology Encounters Cognitivism -- Chapter 1 Fascist Affect in 300 -- Chapter 2 Other Sides Loving and Grieving with Heart of a Dog and Merleau-Ponty’s Depth -- Chapter 3 Elemental Imagination and Film Experience: Climate Change and the Cinematic Ethics of Immersive Filmworlds -- Chapter 4 Toward a Model of Distributed Affectivity for Cinematic Ethics Ethical Experience, Trauma, and History -- Chapter 5 Grey Gardens and the Problem of Objectivity: Notes on the Ethics of Observational Documentary -- Chapter 6 Synthetic Beings and Synthespian Ethics: Embodiment Technologies in Science/Fiction -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)