American Cinema in the Shadow of 9/11 / Terence McSweeney.
Material type:
- 9781474413817
- 9781474413824
- Motion pictures -- History -- 21st century -- United States
- Motion pictures -- United States -- History -- 21st century
- September 11 Terrorist Attacks, 2001 -- Influence -- United States
- September 11 Terrorist Attacks, 2001 -- Influence
- Film, Media & Cultural Studies
- PERFORMING ARTS / Film & Video / General
- PN1995.9.T46 A45 2017
- online - DeGruyter
- Issued also in print.
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9781474413824 |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Foreword -- Introduction: American Cinema in the Shadow of 9/11 -- Part I. Dramatisations of the 'War on Terror -- 1. The Mythic Shape of American Sniper (2015) -- 2. Responding to Realities or Telling the Same Old Story? Mixing Real-world and Mythic Resonances in The Kingdom (2007) and Zero Dark Thirty (2012) -- 3. Acts of Redemption and 'The Falling Man' Photograph in Post-9/11 US Cinema -- 4. 'You be very mindful of how you act': Post-9/11 Culture and Arab American Subjectivities in Joseph Castelo's The War Within (2005) and Hesham Issawi's AmericanEast (2008) -- 5. Refracting Fundamentalism in Mira Nair's The Reluctant Fundamentalist (2012) -- Part II. Influences of the 'War on Terror' -- 6. 'Not now that strength': Embodiment and Globalisation in Post-9/11 James Bond -- 7. Training the Body Politic: Networked Masculinity and the 'War on Terror' in Hollywood Film -- 8. 'Gettin' Dirty': Tarantino's Vengeful Justice, the Marked Viewer and Post-9/11 Am -- 9. Stop the Clocks: Lincoln and Post-9/11 Cinema -- 10. Foreshadows of the Fall: Questioning 9/11's Impact on American Attitudes -- Part III. Allegories of the 'War on Terror' -- 11. 'Daddy, I'm scared. Can we go home?' Fear and Allegory in Frank Darabont's The Mist (2007 -- 12. The Terrible, Horrible Desire to Know: Post-9/11 Horror Remakes, Reboots, Sequels and Prequels -- 13. Post-9/11 Power and Responsibility in the Marvel Cinematic Universe -- 14. Nowhere Left to Zone in Children of Men (2006) -- 15. Traumatise, Repeat, Finish: Military Science Fiction (Long) after 9/11 and Doug Liman's Edge of Tomorrow (2014) -- Selected Filmography -- Notes on the Contributors -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.Key FeaturesFifteen original essays by some of the foremost scholars in American CinemaFeatures essays on the key films of the era, along with many that have previously been overlooked in scholarly literatureThe volume is critically informed but vibrant and engagingIncludes chapters by Geoff King, Guy Westwell, John Shelton Lawrence and Robert Jewett, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many othersCase StudiesAmericanEast (Hesham Issawi, 2008) American Sniper (Clint Eastwood, 2014)Avengers: Age of Ultron (Joss Whedon, 2015)Casino Royale (Martin Campbell, 2006)Children of Men (Alfonso Cuarón, 2006) Django Unchained (Quentin Tarantino, 2012)Edge of Tomorrow (Doug Liman, 2014)Extremely Loud and Incredibly Close (Stephen Daldry, 2011)Halloween (John Carpenter, 1978)Halloween (Rob Zombie, 2007)Halloween II (Rob Zombie, 2009)The Hateful Eight (Quentin Tarantino, 2015)Inglourious Basterds (Quentin Tarantino, 2009)The Kingdom (Peter Berg, 2007)Lincoln (Steven Spielberg, 2012)Marvel Avengers Assemble (Joss Whedon, 2012) U.S Title The AvengersPearl Harbour (Michael Bay, 2001)The Reluctant Fundamentalist (Mira Nair, 2012)RoboCop (Paul Verhoeven, 1987)RoboCop (José Padilha, 2014)The Siege (Edward Zwick, 1998)Source Code (Duncan Jones, 2011)Spectre (Sam Mendes, 2015)Unstoppable (Tony Scott, 2011)The Walk (Robert Zemeckis, 2015)The War Within (Joseph Castrello, 2005)Zero Dark Thirty (Kathryn Bigelow, 2012)
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)