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Dancing the New World : Aztecs, Spaniards, and the Choreography of Conquest / Paul A. Scolieri.

By: Material type: TextTextSeries: Latin American and Caribbean Arts and Culture Publication Initiative, Mellon FoundationPublisher: Austin : University of Texas Press, [2021]Copyright date: ©2013Description: 1 online resource (227 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780292744936
Subject(s): DDC classification:
  • 972/.02 23
LOC classification:
  • F1219.76.D35 S36 2013eb
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- List of Appendices -- List of Maps and Images -- Acknowledgments -- Introduction -- 1 On the Areíto. Discovering Dance in the New World -- 2 Unfaithful Imitation. Friar Toribio de Benavente “Motolinía” and the “Counterfeit” Histories of Dance -- 3 The Sacrifices of Representation. Dance in the Writings of Friar Bernardino de Sahagún -- 4 Dances of Death. The Massacre at the Festival of Toxcatl -- 5 The Mystery of Movement. Dancing in Colonial New Spain -- Conclusion -- Appendices A– J -- Notes -- Bibliography -- Index
Summary: From Christopher Columbus to “first anthropologist” Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the “Indian” dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the “idolatrous” behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse—the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri’s pathfinding analysis of the vast colonial “dance archive” conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history—the European colonization of the Americas.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780292744936

Frontmatter -- Contents -- List of Appendices -- List of Maps and Images -- Acknowledgments -- Introduction -- 1 On the Areíto. Discovering Dance in the New World -- 2 Unfaithful Imitation. Friar Toribio de Benavente “Motolinía” and the “Counterfeit” Histories of Dance -- 3 The Sacrifices of Representation. Dance in the Writings of Friar Bernardino de Sahagún -- 4 Dances of Death. The Massacre at the Festival of Toxcatl -- 5 The Mystery of Movement. Dancing in Colonial New Spain -- Conclusion -- Appendices A– J -- Notes -- Bibliography -- Index

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http://purl.org/coar/access_right/c_16ec

From Christopher Columbus to “first anthropologist” Friar Bernardino de Sahagún, fifteenth- and sixteenth-century explorers, conquistadors, clerics, scientists, and travelers wrote about the “Indian” dances they encountered throughout the New World. This was especially true of Spanish missionaries who intensively studied and documented native dances in an attempt to identify and eradicate the “idolatrous” behaviors of the Aztec, the largest indigenous empire in Mesoamerica at the time of its European discovery. Dancing the New World traces the transformation of the Aztec empire into a Spanish colony through written and visual representations of dance in colonial discourse—the vast constellation of chronicles, histories, letters, and travel books by Europeans in and about the New World. Scolieri analyzes how the chroniclers used the Indian dancing body to represent their own experiences of wonder and terror in the New World, as well as to justify, lament, and/or deny their role in its political, spiritual, and physical conquest. He also reveals that Spaniards and Aztecs shared an understanding that dance played an important role in the formation, maintenance, and representation of imperial power, and describes how Spaniards compelled Indians to perform dances that dramatized their own conquest, thereby transforming them into colonial subjects. Scolieri’s pathfinding analysis of the vast colonial “dance archive” conclusively demonstrates that dance played a crucial role in one of the defining moments in modern history—the European colonization of the Americas.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)