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Performing Moving Images : Access, Archives and Affects / Senta Siewert.

By: Material type: TextTextSeries: Framing FilmPublisher: Amsterdam : Amsterdam University Press, [2020]Copyright date: ©2020Description: 1 online resource (190 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9789048537075
Subject(s): Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- TABLE OF CONTENTS -- Introduction: Experimental Cinema, Expanded Cinema, and Artists’ Film -- 1. Access: Agents, Archives -- 2. Affect: Performance, Audience -- 3. Reconstruction: Memory and Audio-Visual Heritage -- Outlook -- Conclusion -- ACKNOWLEDGEMENTS -- Illustrations -- GENERAL BIBLIOGRAPHY -- INDEX
Summary: Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9789048537075

Frontmatter -- TABLE OF CONTENTS -- Introduction: Experimental Cinema, Expanded Cinema, and Artists’ Film -- 1. Access: Agents, Archives -- 2. Affect: Performance, Audience -- 3. Reconstruction: Memory and Audio-Visual Heritage -- Outlook -- Conclusion -- ACKNOWLEDGEMENTS -- Illustrations -- GENERAL BIBLIOGRAPHY -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)