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Rancière and Film / Paul Bowman.

By: Contributor(s): Material type: TextTextSeries: Critical Connections : CRCOPublisher: Edinburgh : Edinburgh University Press, [2022]Copyright date: ©2013Description: 1 online resource (224 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9780748647361
  • 9780748647378
Subject(s): DDC classification:
  • 791.4301 23
LOC classification:
  • PN1995 .R333 2013
  • PN1995 .R333 2013
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index
Summary: The first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself.Contributors includeNico Baumbach, Columbia UniversityRey Chow, Duke UniversityBram Ieven, Utrecht UniversityMónica Lopez Lerma, Helsinki UniversityPatricia MacCormack, University of East AngliaRichard Stamp, Bath Spa UniversityJames Steintrager, University of California, Irvine
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780748647378

Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself.Contributors includeNico Baumbach, Columbia UniversityRey Chow, Duke UniversityBram Ieven, Utrecht UniversityMónica Lopez Lerma, Helsinki UniversityPatricia MacCormack, University of East AngliaRichard Stamp, Bath Spa UniversityJames Steintrager, University of California, Irvine

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)