The Digital Image and Reality : Affect, Metaphysics and Post-Cinema / Daniel Strutt.
Material type:
TextSeries: Film Culture in TransitionPublisher: Amsterdam : Amsterdam University Press, [2019]Copyright date: ©2019Description: 1 online resource (248 p.)Content type: - 9789048538652
- 791.4301
- online - DeGruyter
| Item type | Current library | Call number | URL | Status | Notes | Barcode | |
|---|---|---|---|---|---|---|---|
eBook
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9789048538652 |
Frontmatter -- Contents -- Acknowledgements -- 1. Cinema’s Foundational Frissons -- 2. The Affective Synthesis of Reality by Digital Images -- 3. ‘A Digital Frontier to Reshape the Human Condition’ : Virtual Border Spaces and Affective Embodiment in Tron and Enter the Void -- 4. Dynamic Digital Spaces, Bodies, and Forces -- 5. Reality Sutures, Simulation, and Digital Realism -- 6. A Digital Nihilism: Ethical Reflections -- Bibliography -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
The media technologies that surround and suffuse our everyday life profoundly affect our relation to reality. Philosophers since Plato and Aristotle have sought to understand the complex influence of apparently simple tools of expression on our understanding and experience of the world, time, space, materiality and energy. The Digital Image and Reality takes up this crucial philosophical task for our digital era. This rich yet accessible work argues that when new visual technologies arrive to represent and simulate reality, they give rise to nothing less than a radically different sensual image of the world. Through engaging with post-cinematic content and the new digital formats in which it appears, Strutt uncovers and explores how digital image-making is integral to emergent modes of metaphysical reflection - to speculative futurism, optimistic nihilism, and ethical plasticity. Ultimately, he prompts the reader to ask whether the impact of digital image processes might go even beyond our subjective consciousness of reality, towards the synthesis of objective actuality itself.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)

