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The New Yorker Theater and Other Scenes from a Life at the Movies / Toby Talbot.

By: Contributor(s): Material type: TextTextPublisher: New York, NY : Columbia University Press, [2009]Copyright date: ©2009Description: 1 online resource (400 p.) : 76 black and white photosContent type:
Media type:
Carrier type:
ISBN:
  • 9780231145664
  • 9780231519823
Subject(s): DDC classification:
  • 791.43092 22
LOC classification:
  • PN1998.3.T3424 A3 2009
  • PN1998.3.T3424
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- CONTENTS -- FOREWORD -- Acknowledgments -- REEL 1: The Theater -- REEL 2: Distribution -- REEL 3: On Location -- REEL 4: Film Critics -- REEL 5: Festivals -- REEL 6: Demolition -- REEL 7: Epilogue: An Ongoing Reel -- APPENDIX 1: Program Notes -- APPENDIX 2: American Theatrical Premieres at the Cinema Studio -- APPENDIX 3: American Theatrical Premieres at the Lincoln Plaza Cinemas -- Guest Book /Sample Pages -- LEDGER from the New Yorker Theater -- Index
Summary: The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order.Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad—and often entertaining—aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780231519823

Frontmatter -- CONTENTS -- FOREWORD -- Acknowledgments -- REEL 1: The Theater -- REEL 2: Distribution -- REEL 3: On Location -- REEL 4: Film Critics -- REEL 5: Festivals -- REEL 6: Demolition -- REEL 7: Epilogue: An Ongoing Reel -- APPENDIX 1: Program Notes -- APPENDIX 2: American Theatrical Premieres at the Cinema Studio -- APPENDIX 3: American Theatrical Premieres at the Lincoln Plaza Cinemas -- Guest Book /Sample Pages -- LEDGER from the New Yorker Theater -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order.Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad—and often entertaining—aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)