Library Catalog
Amazon cover image
Image from Amazon.com

The Production of English Renaissance Culture / ed. by Sharon O'Dair, David Lee Miller, Harold Weber.

Contributor(s): Material type: TextTextPublisher: Ithaca, NY : Cornell University Press, [2019]Copyright date: ©1994Description: 1 online resource (320 p.) : 20 halftones, 1 drawing, 2 tablesContent type:
Media type:
Carrier type:
ISBN:
  • 9781501744686
Subject(s): DDC classification:
  • 942.05 20
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Preface -- Introduction: Criticism and Cultural Production -- 1. Agans of the Manor: "Upon Appleton House" and Agrarian Capitalism -- 2. State, Church, and the Disestablishment of Magic: Orthodoxy and Dissent in Post-Reformation England and France -- 3. Legal Proofs and Corrected Readings: Press-Agency and the New Bibliography -- 4. Bestial Buggery in A Midsummer Night's Dream -- 5. News from the New World: Miscegenous Romance in Aphra Behn's Oroonoko and The Widow Ranter -- 6. Dead Man's Treasure: The Cult of Thomas More -- 7. Treasures of Culture: Titus Andronicus and Death by Hanging -- 8. "The picture of Nobody": White Cannibalism in The Tempest -- 9. Allegory, Materialism, Violence -- Notes on Contributors -- Index
Summary: What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9781501744686

Frontmatter -- Contents -- Preface -- Introduction: Criticism and Cultural Production -- 1. Agans of the Manor: "Upon Appleton House" and Agrarian Capitalism -- 2. State, Church, and the Disestablishment of Magic: Orthodoxy and Dissent in Post-Reformation England and France -- 3. Legal Proofs and Corrected Readings: Press-Agency and the New Bibliography -- 4. Bestial Buggery in A Midsummer Night's Dream -- 5. News from the New World: Miscegenous Romance in Aphra Behn's Oroonoko and The Widow Ranter -- 6. Dead Man's Treasure: The Cult of Thomas More -- 7. Treasures of Culture: Titus Andronicus and Death by Hanging -- 8. "The picture of Nobody": White Cannibalism in The Tempest -- 9. Allegory, Materialism, Violence -- Notes on Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)