Library Catalog
Amazon cover image
Image from Amazon.com

Global Cinema Networks / ed. by Elena Gorfinkel, Tami Williams.

Contributor(s): Material type: TextTextSeries: Media MattersPublisher: New Brunswick, NJ : Rutgers University Press, [2018]Copyright date: ©2018Description: 1 online resource (278 p.) : 49 b-w photographsContent type:
Media type:
Carrier type:
ISBN:
  • 9780813592763
Subject(s): DDC classification:
  • 791.4309/05 23
LOC classification:
  • PN1995 .G5435 2018
Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- CONTENTS -- Introduction: Global Cinemas in a Time of Networks -- CARTOGRAPHIES, GEOPOLITICS, AESTHETICS -- 1. BEYOND AND BENEATH THE MAP OF WORLD CINEMA -- 2. FRAME -- 3. ABSTRACTION AND THE GEOPOLITICAL: Lessons from Antonioni’s Trip to China -- 4. THE CITY OF BITS AND URBAN RULE: Media Archaeology, Urban Space, and Contemporary Chinese Documentary -- GLOBAL IDEALITY, HISTORY, REPRESENTATION -- 5. TOWARD AN ARCHAEOLOGY OF GLOBAL RHYTHMS: Melodie der Welt and Its Reception in France -- 6. WHEN CINEMA WAS HUMANISM -- 7. AFRICAN CINEMA: Digital Media and Expanding Frames of Representation -- 8. CHANGING CIRCUMSTANCES: Global Flows of Lesbian Cinema -- Part III. KINSHIPS, IDENTIFICATIONS, GENRES -- 9. HERMANO AND LA HORA CERO: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema -- 10. BETWEEN LOVE AND THE MORAL LAW: The Fatal Mother in Park Chan-wook’s Lady Vengeance -- 11. THE QUEER MEXICAN CINEMA OF JULIÁN HERNÁNDEZ -- 12. THE GANGSTER FILM AS WORLD CINEMA -- EPILOGUE 24 FRAMES: Regarding the Past and Future of Global Cinema -- ACKNOWLEDGMENTS -- NOTES ON CONTRIBUTORS -- INDEX
Summary: Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of circulation and aesthetic convergence, focusing primarily on recent films made across Europe, Africa, Latin America, Asia, and the Middle East. Moving beyond the digital as a harbinger of transformation, the volume offers new ways of thinking about cinema networks in a historical continuum, from “international” to “world” to “transnational” to “global” frames.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780813592763

Frontmatter -- CONTENTS -- Introduction: Global Cinemas in a Time of Networks -- CARTOGRAPHIES, GEOPOLITICS, AESTHETICS -- 1. BEYOND AND BENEATH THE MAP OF WORLD CINEMA -- 2. FRAME -- 3. ABSTRACTION AND THE GEOPOLITICAL: Lessons from Antonioni’s Trip to China -- 4. THE CITY OF BITS AND URBAN RULE: Media Archaeology, Urban Space, and Contemporary Chinese Documentary -- GLOBAL IDEALITY, HISTORY, REPRESENTATION -- 5. TOWARD AN ARCHAEOLOGY OF GLOBAL RHYTHMS: Melodie der Welt and Its Reception in France -- 6. WHEN CINEMA WAS HUMANISM -- 7. AFRICAN CINEMA: Digital Media and Expanding Frames of Representation -- 8. CHANGING CIRCUMSTANCES: Global Flows of Lesbian Cinema -- Part III. KINSHIPS, IDENTIFICATIONS, GENRES -- 9. HERMANO AND LA HORA CERO: Violence and Transgressive Subjectivities in Venezuelan Youth Cinema -- 10. BETWEEN LOVE AND THE MORAL LAW: The Fatal Mother in Park Chan-wook’s Lady Vengeance -- 11. THE QUEER MEXICAN CINEMA OF JULIÁN HERNÁNDEZ -- 12. THE GANGSTER FILM AS WORLD CINEMA -- EPILOGUE 24 FRAMES: Regarding the Past and Future of Global Cinema -- ACKNOWLEDGMENTS -- NOTES ON CONTRIBUTORS -- INDEX

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Global Cinema Networks investigates the evolving aesthetic forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection’s esteemed contributors excavate sites of global filmmaking in an era of digital reproduction and amidst new modes of circulation and aesthetic convergence, focusing primarily on recent films made across Europe, Africa, Latin America, Asia, and the Middle East. Moving beyond the digital as a harbinger of transformation, the volume offers new ways of thinking about cinema networks in a historical continuum, from “international” to “world” to “transnational” to “global” frames.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)