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Chinese-Language Film : Historiography, Poetics, Politics / ed. by Sheldon Hsiao-peng Lu, Emilie Yueh-yu Yeh.

Contributor(s): Material type: TextTextPublisher: Honolulu : University of Hawaii Press, [2023]Copyright date: ©2005Description: 1 online resource (392 p.) : illusContent type:
Media type:
Carrier type:
ISBN:
  • 9780824889685
Subject(s): Other classification:
  • online - DeGruyter
Online resources:
Contents:
Frontmatter -- Contents -- Acknowledgments -- Note on Romanization -- Introduction: Mapping the Field of Chinese-Language Cinema -- PART ONE Historiography, Periodization, Trends -- CHAPTER ONE Shadow Opera Toward a New Archaeology of the Chinese Cinema -- CHAPTER TWO Bodies in the Air: The Magic of Science and the Fate of the Early "Martial Arts" Film in China -- CHAPTER THREE Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman -- CHAPTER FOUR Working from the Margins: Urban Cinema and Independent Directors in Contemporary China -- CHAPTER FIVE Chinese Film Culture at the End of the Twentieth Century: The Case of Not One Less by Zhang Yimou -- PART TWO Poetics, Directors, Styles -- CHAPTER SIX Transcultural Spaces Toward a Poetics of Chinese Film -- CHAPTER SEVEN Poetics and Politics of Hou Hsiao-hsien's Films -- CHAPTER EIGHT Jia Zhangke's Cinematic Trilogy: A Journey across the Ruins of Post-Mao China -- CHAPTER NINE Novels into Film: Liu Yichang's Tête-Bêche and Wong Kar-wai's In the Mood for Love -- CHAPTER TEN Crouching Tiger, Hidden Dragon, Bouncing Angels: Hollywood, Taiwan, Hong Kong, and Transnational Cinema -- PART THREE Politics, Nationhood, Globalization -- CHAPTER ELEVEN Borrowing Postcolonial Wu Nianzhen's Dou-san and the Memory Mine -- CHAPTER TWELVE Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan's Body and Sylvia Chang's Siao -- CHAPTER THIRTEEN Fists of Legend Constructing Chinese Identity in the Hong Kong Cinema -- CHAPTER FOURTEEN Hong Kong Diaspora Film and Transnational Television Drama From Homecoming to Exile to Flexible Citizenship -- CHAPTER FIFTEEN Hybridity and (G)local Identity in Postcolonial Hong Kong Cinema -- CHAPTER SIXTEEN Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo -- Filmography: Selected Chinese-Language Films -- Chinese Glossary -- Bibliography -- Notes on Contributors -- Index
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9780824889685

Frontmatter -- Contents -- Acknowledgments -- Note on Romanization -- Introduction: Mapping the Field of Chinese-Language Cinema -- PART ONE Historiography, Periodization, Trends -- CHAPTER ONE Shadow Opera Toward a New Archaeology of the Chinese Cinema -- CHAPTER TWO Bodies in the Air: The Magic of Science and the Fate of the Early "Martial Arts" Film in China -- CHAPTER THREE Postsadness Taiwan New Cinema: Eat, Drink, Everyman, Everywoman -- CHAPTER FOUR Working from the Margins: Urban Cinema and Independent Directors in Contemporary China -- CHAPTER FIVE Chinese Film Culture at the End of the Twentieth Century: The Case of Not One Less by Zhang Yimou -- PART TWO Poetics, Directors, Styles -- CHAPTER SIX Transcultural Spaces Toward a Poetics of Chinese Film -- CHAPTER SEVEN Poetics and Politics of Hou Hsiao-hsien's Films -- CHAPTER EIGHT Jia Zhangke's Cinematic Trilogy: A Journey across the Ruins of Post-Mao China -- CHAPTER NINE Novels into Film: Liu Yichang's Tête-Bêche and Wong Kar-wai's In the Mood for Love -- CHAPTER TEN Crouching Tiger, Hidden Dragon, Bouncing Angels: Hollywood, Taiwan, Hong Kong, and Transnational Cinema -- PART THREE Politics, Nationhood, Globalization -- CHAPTER ELEVEN Borrowing Postcolonial Wu Nianzhen's Dou-san and the Memory Mine -- CHAPTER TWELVE Locating Feminine Writing in Taiwan Cinema: A Study of Yang Hui-shan's Body and Sylvia Chang's Siao -- CHAPTER THIRTEEN Fists of Legend Constructing Chinese Identity in the Hong Kong Cinema -- CHAPTER FOURTEEN Hong Kong Diaspora Film and Transnational Television Drama From Homecoming to Exile to Flexible Citizenship -- CHAPTER FIFTEEN Hybridity and (G)local Identity in Postcolonial Hong Kong Cinema -- CHAPTER SIXTEEN Global Modernity, Postmodern Singapore, and the Cinema of Eric Khoo -- Filmography: Selected Chinese-Language Films -- Chinese Glossary -- Bibliography -- Notes on Contributors -- Index

restricted access online access with authorization star

http://purl.org/coar/access_right/c_16ec

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)