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Artist Complex : Images of Artists in Twentieth-Century Photography / ed. by Jadwiga Kamola.

Contributor(s): Material type: TextTextSeries: Studies in Theory and History of Photography : Schriften der Lehr- und Forschungsstelle für Theorie und Geschichte der Fotografie am Kunsthistorischen Institut der Universität Zürich ; 11Publisher: Berlin ; Boston : De Gruyter, [2021]Copyright date: ©2021Description: 1 online resource (206 p.)Content type:
Media type:
Carrier type:
ISBN:
  • 9783110686463
  • 9783110740165
Subject(s): DDC classification:
  • 779.2092 23
LOC classification:
  • TR681.A7 A774 2021
  • TR681.A7 A78 2021
Other classification:
  • online - DeGruyter
Online resources: Available additional physical forms:
  • Issued also in print.
Contents:
Frontmatter -- Contents -- Preface -- Introduction Artist Complex -- Artist Complex. Thinking Photography with Carl Gustav Jung -- Genius -- Milieu sphérique, espace clos. The Studio of Georges Braque as a Romantic Place of Creation in Brassaї’s Photographic Portraits -- Claude Monet’s Graphic Work and the Myth of a Plein Air Pa inter -- Self -- Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction -- Demiurge, “Tough Prophet” and Scientist. Frederick Kiesler as The Greatest Self-Staging Architect of his Time -- Impossible Self-Portrait. Photographic Ga mes and Existential Inquiries in the Photographic Work of Witkacy–Głogowski -- Bodies -- “Jeff Koons is back!”. Forces at Work -- Natalia LL . Reading Categorical Statements from the Sphere of Post -Consumer Art , October 1975 as a Programmatic Self-Portrait -- Dialectics of Desire and Disgust. Adrian Piper’s Catalysis -- Work -- BERLIN ARTISTS. Photographic Field Research 2009–2014 -- List of contributors
Summary: Ausgehend von dem von C.G. Jung geprägten Begriff „Komplex" untersuchen die Beiträge die Entstehung der künstlerischen Persona in der Fotografie des 20. Jahrhunderts. Dafür werden fotografische (Selbst-)Porträts, die Dynamik zwischen Selbstaussagen von Künstler/-innen und Fotograf/-innen, die Wechselbeziehungen zwischen Fotografie, Malerei und Performance befragt sowie nach ihren ideengeschichtlichen Ursprüngen gesucht. Der Band zeichnet ein Porträt der Fotografie als „Metawissenschaft". Sie ist Vorarbeit, Inspirationsquelle und alternatives Medium, mit dem Künstler/-innen unterschiedliche Themen bearbeiten konnten. Mit Beiträgen von Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.Summary: With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - DeGruyter (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (dgr)9783110740165

Frontmatter -- Contents -- Preface -- Introduction Artist Complex -- Artist Complex. Thinking Photography with Carl Gustav Jung -- Genius -- Milieu sphérique, espace clos. The Studio of Georges Braque as a Romantic Place of Creation in Brassaї’s Photographic Portraits -- Claude Monet’s Graphic Work and the Myth of a Plein Air Pa inter -- Self -- Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction -- Demiurge, “Tough Prophet” and Scientist. Frederick Kiesler as The Greatest Self-Staging Architect of his Time -- Impossible Self-Portrait. Photographic Ga mes and Existential Inquiries in the Photographic Work of Witkacy–Głogowski -- Bodies -- “Jeff Koons is back!”. Forces at Work -- Natalia LL . Reading Categorical Statements from the Sphere of Post -Consumer Art , October 1975 as a Programmatic Self-Portrait -- Dialectics of Desire and Disgust. Adrian Piper’s Catalysis -- Work -- BERLIN ARTISTS. Photographic Field Research 2009–2014 -- List of contributors

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http://purl.org/coar/access_right/c_16ec

Ausgehend von dem von C.G. Jung geprägten Begriff „Komplex" untersuchen die Beiträge die Entstehung der künstlerischen Persona in der Fotografie des 20. Jahrhunderts. Dafür werden fotografische (Selbst-)Porträts, die Dynamik zwischen Selbstaussagen von Künstler/-innen und Fotograf/-innen, die Wechselbeziehungen zwischen Fotografie, Malerei und Performance befragt sowie nach ihren ideengeschichtlichen Ursprüngen gesucht. Der Band zeichnet ein Porträt der Fotografie als „Metawissenschaft". Sie ist Vorarbeit, Inspirationsquelle und alternatives Medium, mit dem Künstler/-innen unterschiedliche Themen bearbeiten konnten. Mit Beiträgen von Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.

With the Jungian term of the complex the present volume inquires about the making of the artistic persona in twentieth-century photography. The articles examine photographic (self-)portraits, the dynamics between self-statements of artists and photographers, the interrelations of photography, of painting and of performance art and investigate their origins in the history of ideas. The volume traces a portrait of photography as a metascience; as preparatory work, a source of inspiration and an alternate medium in which artists could explore different subjects. With essays by Ulrike Blumenthal, Till Cremer, Victoria Fleury, Jadwiga Kamola, Weronika Kobylińska-Bunsch, Nadja Köffler, Constance Krüger, Wilma Scheschonk, Gerd Zillner.

Issued also in print.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)