Red : The History of a Color / Michel Pastoureau.
Material type:
- 9780691251370
- Color -- Psychological aspects -- History
- Color -- Social aspects -- History
- Red in art
- Red
- Symbolism of colors -- History
- ART / History / General
- Anthony van Dyck
- Athanasius Kircher
- Bestiary
- Blason
- Brought to Light
- Cassone
- Chaperon (headgear)
- Charles the Bald
- Church Fathers
- Cinnabar
- Classical Latin
- Clothing
- Coat of arms
- Cochineal
- Cosmetics
- Couleur
- Council of Constance
- Dionysus
- Dyeing
- Early modern period
- Einhard
- Emblem
- Enjolras
- Etymology
- Flemish painting
- Georges de La Tour
- Giovanni Arnolfini
- Good and evil
- Grisaille
- Hebrews
- Hematite
- Heraldry
- Hieronymus Bosch
- Hussites
- Iconography
- Invidia
- Jacques Fabien Gautier d'Agoty
- Kees van Dongen
- Lacquer
- Little Red Riding Hood
- Lucas Cranach the Elder
- Maurice Quentin de La Tour
- Middle French
- Minium (pigment)
- Mithraism
- Museo del Prado
- Natural History (Pliny)
- On the Eve
- Orcein
- Otto Dix
- Paul Klee
- Persecution
- Phrygian cap
- Pigment
- Politique
- Pope Leo III
- Prostitution
- Red Army Faction
- Red hair
- Reynard
- Ridicule
- Roman de Fauvel
- Suetonius
- Sumptuary law
- Symbolic power
- Talc
- The Other Hand
- Vestment
- Victor Hugo
- Vinegar
- 155.9/1145 23/eng/20230620
- BF789.C7
- online - DeGruyter
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
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Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9780691251370 |
Frontmatter -- Contents -- Introduction -- THE FIRST COLOR -- THE FAVORITE COLOR -- A CONTROVERSIAL COLOR -- A DANGEROUS COLOR? -- Notes -- Bibliography -- Photography Credits -- Acknowledgments
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
A beautifully illustrated visual and cultural history of the color red throughout the agesThe color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes. In some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics.In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, including the cave paintings of Lascaux, the works of Renaissance masters, and the modern paintings and stained glass of Mark Rothko and Josef Albers.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)