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Idol anxiety / edited by Josh Ellenbogen and Aaron Tugendhaft.

Contributor(s): Material type: TextTextPublication details: Stanford, Calif. : Stanford University Press, ©2011.Description: 1 online resource (ix, 242 pages) : illustrationsContent type:
Media type:
Carrier type:
ISBN:
  • 9780804781817
  • 0804781818
Subject(s): Additional physical formats: Print version:: Idol anxiety.DDC classification:
  • 202/.18 22
LOC classification:
  • BL485 .I35 2011eb
Other classification:
  • online - EBSCO
Online resources:
Contents:
What's wrong with images? / Jan Assmann -- The Christian critique of idolatry / Marc Fumaroli -- The painter's breath and concepts of idol anxiety in Islamic art / Mika Natif -- Idolatry : Nietzsche, Blake, and Poussin / W.J.T. Mitchell -- Dreadful beauty and the undoing of adulation in the work of Kara Walker and Michael Ray Charles / Rachael Ziady DeLue -- Iconoclasm and real space / David Summers -- How many ways can you idolize a song? / Rose Rosengard Subotnik -- Iconoclasm and the sublime : two implicit religious discourses in art history / James Elkins -- What we see and what appears / Jean-Luc Marion -- On Heidegger, the idol, and the work of the work of art / Daniel Doneson -- Beyond instrumentalism and voluntarism : idol anxiety and the awakening of a philosophical mood / Daniel Silver.
Summary: This interdisciplinary collection of essays addresses idolatry, a contested issue that has given rise to both religious accusations and heated scholarly disputes. Idol Anxiety brings together insightful new statements from scholars in religious studies, art history, philosophy, and musicology to show that idolatry is a concept that can be helpful in articulating the ways in which human beings interact with and conceive of the things around them. It includes both case studies that provide examples of how the concept of idolatry can be used to study material objects and more theoretical interventions. Among the book's highlights are a foundational treatment of the second commandment by Jan Assmann; an essay by W.J.T. Mitchell on Nicolas Poussin that will be a model for future discussions of art objects; a groundbreaking consideration of the Islamic ban on images by Mika Natif; and a lucid description by Jean-Luc Marion of his cutting-edge phenomenology of the visible.
Holdings
Item type Current library Call number URL Status Notes Barcode
eBook eBook Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online online - EBSCO (Browse shelf(Opens below)) Online access Not for loan (Accesso limitato) Accesso per gli utenti autorizzati / Access for authorized users (ebsco)380190

Includes bibliographical references and index.

What's wrong with images? / Jan Assmann -- The Christian critique of idolatry / Marc Fumaroli -- The painter's breath and concepts of idol anxiety in Islamic art / Mika Natif -- Idolatry : Nietzsche, Blake, and Poussin / W.J.T. Mitchell -- Dreadful beauty and the undoing of adulation in the work of Kara Walker and Michael Ray Charles / Rachael Ziady DeLue -- Iconoclasm and real space / David Summers -- How many ways can you idolize a song? / Rose Rosengard Subotnik -- Iconoclasm and the sublime : two implicit religious discourses in art history / James Elkins -- What we see and what appears / Jean-Luc Marion -- On Heidegger, the idol, and the work of the work of art / Daniel Doneson -- Beyond instrumentalism and voluntarism : idol anxiety and the awakening of a philosophical mood / Daniel Silver.

Print version record.

This interdisciplinary collection of essays addresses idolatry, a contested issue that has given rise to both religious accusations and heated scholarly disputes. Idol Anxiety brings together insightful new statements from scholars in religious studies, art history, philosophy, and musicology to show that idolatry is a concept that can be helpful in articulating the ways in which human beings interact with and conceive of the things around them. It includes both case studies that provide examples of how the concept of idolatry can be used to study material objects and more theoretical interventions. Among the book's highlights are a foundational treatment of the second commandment by Jan Assmann; an essay by W.J.T. Mitchell on Nicolas Poussin that will be a model for future discussions of art objects; a groundbreaking consideration of the Islamic ban on images by Mika Natif; and a lucid description by Jean-Luc Marion of his cutting-edge phenomenology of the visible.

In English.