Vietnam, A War, Not a Country / Todd Madigan, Magnus Ring, Ron Eyerman.
Material type:
- 9789048556397
- Collective memory -- United States
- Collective memory -- Vietnam
- Memory -- Social aspects -- United States
- Memory -- Social aspects -- Vietnam
- Vietnam War, 1961-1975 -- Influence
- Vietnam War, 1961-1975 -- Psychological aspects -- United States
- Vietnam War, 1961-1975 -- Social aspects -- United States
- Conflict and Peace
- Contemporary Society
- Heritage Studies
- History, Art History, and Archaeology
- Sociology and Social History
- South East Asia
- HISTORY / Military / Vietnam War
- Vietnam War, Cultural Trauma, Arenas of Memory, Memorialisation
- 959.704/31 23//eng/20230509eng
- online - DeGruyter
Item type | Current library | Call number | URL | Status | Notes | Barcode | |
---|---|---|---|---|---|---|---|
![]() |
Biblioteca "Angelicum" Pont. Univ. S.Tommaso d'Aquino Nuvola online | online - DeGruyter (Browse shelf(Opens below)) | Online access | Not for loan (Accesso limitato) | Accesso per gli utenti autorizzati / Access for authorized users | (dgr)9789048556397 |
Frontmatter -- Table of Contents -- Preface -- 1 Introduction: Cultural Trauma and the American-Vietnamese War -- 2 Cultural Trauma and Vietnamese Arenas of Memory -- 3 The Trauma of Vietnam: The American Perspective -- 4 Journey From the Fall -- 5 Cultural Trauma and Vietnamese-American Arenas of Memory -- 6 Conclusion: War, Trauma, and Beyond -- Index
restricted access online access with authorization star
http://purl.org/coar/access_right/c_16ec
Vietnam: A War, Not a Country explores the conflicting ways in which the American-Vietnamese War has been collectively remembered and represented from the perspective of the war’s three primary belligerents: the Vietnamese communists, the South Vietnamese, and the Americans. The book examines how the three different collectives memorialize this traumatizing historical event. Within each of these three groups there exists a number of competing narratives, generating not only a sense of shared meaning and community, but also impassioned social conflict. In order to trace these narratives within each collectivity, the authors develop the concept of arenas of memory, distinct discourses that are tied to specific individuals, organizations, and institutions that advocate specific narratives through specific forms of media. Their analysis leads them to make the case as to whether each of these societies experienced a cultural trauma as a result of the way in which the war is remembered.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)