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019 _a802050622
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035 _a(OCoLC)821725678
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050 4 _aPR508.R4
_bD54 2012
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082 0 4 _a808.81/9382
_223
084 _aonline - EBSCO
100 1 _aDieleman, Karen.
_1https://id.oclc.org/worldcat/entity/E39PCjFkkxGPQFhPGgMrpQHCjP
_0http://id.loc.gov/authorities/names/n2012029506
245 1 0 _aReligious imaginaries :
_bthe liturgical and poetic practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter /
_cKaren Dieleman.
260 _aAthens :
_bOhio University Press,
_c©2012.
300 _a1 online resource (320 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
588 0 _aPrint version record.
505 0 _aIntroduction: liturgy and the religious imaginary -- Truth and love anchored in the word: Elizabeth Barrett Browning's religious imaginary -- "Truth in relation, perceived in emotion": Elizabeth Barrett Browning's religious poetics -- "The beloved Anglican Church of my baptism": Christina Rossetti's religious imaginary -- Manifestation, aesthetics, and community in Christina Rossetti's verses -- "The one divine influence at work in the world": Adelaide Procter's religious imaginary -- Religious-poetic strategies in Adelaide Procter's lyrics, legends, and chaplets -- Conclusion: the intricacy of the subject.
520 _a"Religious Imaginaries explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. In doing so, this new study rethinks several assumptions in the field: that Victorian women's faith commitments tend to limit creativity; that the contours of church experiences matter little for understanding religious poetry; and that gender is more significant than liturgy in shaping women's religious poetry. Exploring the import of bodily experience for spiritual, emotional, and cognitive forms of knowing, Karen Dieleman explains and clarifies the deep orientations of different strands of nineteenth-century Christianity, such as Congregationalism's high regard for verbal proclamation, Anglicanism and Anglo-Catholicism's valuation of manifestation, and revivalist Roman Catholicism's recuperation of an affective aesthetic. Looking specifically at Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter as astute participants in their chosen strands of Christianity, Dieleman reveals the subtle textures of these women's religious poetry: the different voices, genres, and aesthetics they create in response to their worship experiences. Part recuperation, part reinterpretation, Dieleman's readings highlight each poet's innovative religious poetics. Dieleman devotes two chapters to each of the three poets: the first chapter in each pair delineates the poet's denominational practices and commitments; the second reads the corresponding poetry. Religious Imaginaries has appeal for scholars of Victorian literary criticism and scholars of Victorian religion, supporting its theoretical paradigm by digging deeply into primary sources associated with the actual churches in which the poets worshipped, detailing not only the liturgical practices but also the architectural environments that influenced the worshipper's formation. By going far beyond descriptions of various doctrinal positions, this research significantly deepens our critical understanding of Victorian Christianity and the culture it influenced."--Project Muse.
600 1 0 _aProcter, Adelaide Anne,
_d1825-1864
_xReligion.
600 1 0 _aRossetti, Christina Georgina,
_d1830-1894
_xReligion.
600 1 0 _aBrowning, Elizabeth Barrett,
_d1806-1861
_xReligion.
600 1 7 _aBrowning, Elizabeth Barrett,
_d1806-1861
_2fast
_1https://id.oclc.org/worldcat/entity/E39PBJjCWDTBgCmdcVv3FjWRrq
600 1 7 _aProcter, Adelaide Anne,
_d1825-1864
_2fast
_1https://id.oclc.org/worldcat/entity/E39PBJpv4ktXmxGFFWHKmy8t8C
600 1 7 _aRossetti, Christina Georgina,
_d1830-1894
_2fast
_1https://id.oclc.org/worldcat/entity/E39PBJxd4rqFjr9p6HyHyVxYyd
650 0 _aEnglish poetry
_y19th century
_xHistory and criticism.
650 0 _aEnglish poetry
_xWomen authors
_xHistory and criticism.
650 0 _aChristian poetry, English
_xAuthorship.
650 0 _aChristian poetry, English
_xHistory and criticism.
650 0 _aReligious poetry, English
_xHistory and criticism.
650 6 _aPoésie anglaise
_y19e siècle
_xHistoire et critique.
650 6 _aPoésie chrétienne anglaise
_xHistoire et critique.
650 6 _aPoésie religieuse anglaise
_xHistoire et critique.
650 7 _aLANGUAGE ARTS & DISCIPLINES
_xComposition & Creative Writing.
_2bisacsh
650 7 _aLANGUAGE ARTS & DISCIPLINES
_xRhetoric.
_2bisacsh
650 7 _aREFERENCE
_xWriting Skills.
_2bisacsh
650 7 _aRELIGION
_xChristianity
_xGeneral.
_2bisacsh
650 7 _aChristian poetry, English
_2fast
650 7 _aEnglish poetry
_2fast
650 7 _aEnglish poetry
_xWomen authors
_2fast
650 7 _aReligion
_2fast
650 7 _aReligious poetry, English
_2fast
648 7 _a1800 - 1899
_2fast
655 7 _aCriticism, interpretation, etc.
_2fast
655 7 _aElectronic books.
_2lcgft
776 0 _z9780821420171
776 0 _z9780821444344
850 _aIT-RoAPU
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=806659
942 _cEB
999 _c169491
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