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_z9780252040061 _q(hardcover ; _qalk. paper) |
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_a782.421649112 _223 |
| 084 | _aonline - EBSCO | ||
| 100 | 1 |
_aNtarangwi, Mwenda, _eautore |
|
| 245 | 1 | 4 |
_aThe street is my pulpit : _bhip hop and Christianity in Kenya / _cMwenda Ntarangwi. |
| 264 | 1 |
_aUrbana : _bUniversity of Illinois Press, _c2016. |
|
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 | _adata file | ||
| 490 | 1 | _aInterpretations of Culture in the New Millennium | |
| 505 | 0 | _aIntersections, overlaps, and collaborations -- Cultural preferences, Christianity, and the street -- Hip hop's recasting of Christianity and gospel music in Kenya -- Kama si sisi nani? Juliani's gospel of self-empowerment -- Media and contested Christian identities -- Juliani: lyrical genius with a socially conscious message -- Conclusion: parallel but intersecting paths -- Appendix: Shops selling Juliani's exponential potential. | |
| 504 | _aIncludes bibliographical references and index. | ||
| 588 | 0 | _aPrint version record and CIP data provided by publisher. | |
| 520 | _aTo some, Christianity and hip hop seem antithetical. Not so in Kenya. There, the music of Julius Owino, aka Juliani, blends faith and beats into a potent hip hop gospel aimed at a youth culture hungry for answers spiritual, material, and otherwise. Mwenda Ntarangwi explores the Kenyan hip hop scene through the lens of Juliani's life and career. A born-again Christian, Juliani produces work highlighting the tensions between hip hop's forceful self-expression and a pious approach to public life, even while contesting the basic presumptions of both. In The Street Is My Pulpit, Ntarangwi forges an uncommon collaboration with his subject that offers insights into Juliani's art and goals even as Ntarangwi explores his own religious experience and subjective identity as an ethnographer. What emerges is an original contribution to the scholarship on hip hop's global impact and a passionate study of the music's role in shaping new ways of being Christian in Africa [Publisher description]. | ||
| 600 | 0 | 0 |
_aJuliani, _d1984- _0http://id.loc.gov/authorities/names/no2016008719 |
| 600 | 0 | 7 |
_aJuliani, _d1984- _2fast |
| 650 | 0 |
_aChristian rap (Music) _zKenya. |
|
| 650 | 0 |
_aChristianity _zKenya. |
|
| 650 | 0 |
_aMusic and youth _zKenya. |
|
| 650 | 0 |
_aYouth _zKenya _xSocial conditions _y21st century. |
|
| 650 | 0 |
_aRap musicians _zKenya. |
|
| 650 | 6 |
_aRap chrétien _zKenya. |
|
| 650 | 6 |
_aChristianisme _zKenya. |
|
| 650 | 6 |
_aMusique et jeunesse _zKenya. |
|
| 650 | 6 |
_aJeunesse _zKenya _xConditions sociales _y21e siècle. |
|
| 650 | 6 |
_aRappeurs _zKenya. |
|
| 650 | 7 |
_aMUSIC _xInstruction & Study _xVoice. _2bisacsh |
|
| 650 | 7 |
_aMUSIC _xLyrics. _2bisacsh |
|
| 650 | 7 |
_aMUSIC _xPrinted Music _xVocal. _2bisacsh |
|
| 650 | 7 |
_aSOCIAL SCIENCE _xAnthropology _xCultural. _2bisacsh |
|
| 650 | 7 |
_aChristian rap (Music) _2fast |
|
| 650 | 7 |
_aChristianity _2fast |
|
| 650 | 7 |
_aMusic and youth _2fast |
|
| 650 | 7 |
_aRap musicians _2fast |
|
| 650 | 7 |
_aYouth _xSocial conditions _2fast |
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| 651 | 7 |
_aKenya _2fast _1https://id.oclc.org/worldcat/entity/E39PBJrgMQKpcY3M4dvk48PJDq |
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| 648 | 7 |
_a2000-2099 _2fast |
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| 655 | 0 | _aElectronic books. | |
| 655 | 4 | _aElectronic books. | |
| 758 |
_ihas work: _aThe street is my pulpit (Text) _1https://id.oclc.org/worldcat/entity/E39PCFBtCPWV6QD8QkvHwwcWwC _4https://id.oclc.org/worldcat/ontology/hasWork |
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| 776 | 0 | 8 |
_iPrint version: _aNtarangwi, Mwenda. _tStreet is my pulpit. _dUrbana : University of Illinois Press, 2016 _z9780252040061 _w(DLC) 2016003055 |
| 830 | 0 |
_aInterpretations of culture in the new millennium. _0http://id.loc.gov/authorities/names/n2003108731 |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1100881 |
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