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_223
084 _aonline - EBSCO
100 1 _aHarrison, Douglas,
_d1975-
_0http://id.loc.gov/authorities/names/n2011075989
245 1 0 _aThen sings my soul :
_bthe culture of southern gospel music /
_cDouglas Harrison.
264 1 _aUrbana :
_bUniversity of Illinois Press,
_c[2012]
264 4 _c©2012
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aMusic in American life
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction : A native informant's report from the field -- Glory bumps, or the psychodynamics of the southern gospel experience -- Nostalgia, modernity, and the reconstruction roots of a tradition -- The rise of "southern" gospel music and the compensations of history -- The gaitherization of contemporary southern gospel -- Southern gospel in the key of queer -- Epilogue : the soul's best song -- List of songs referenced -- Appendix : methods and preliminary findings of a survey of attitudes and beliefs about southern gospel music.
588 0 _aPrint version record.
520 _aIn this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than seeing the music as a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Harrison explores how listeners and consumers of southern gospel integrate its lyrics and music into their own religious experience, building up individual--and potentially subversive--meanings beneath a surface of evangelical consensus. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, Then Sings My Soul traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. Harrison's discussion includes the "gay-gospel paradox"--The experience of non-heterosexuals in gospel music--as emblematic of fundamentalism's conflict with the postmodern world [Publisher description].
546 _aEnglish.
650 0 _aGospel music
_zSouthern States
_xHistory and criticism.
650 0 _aPopular culture
_xReligious aspects.
_0http://id.loc.gov/authorities/subjects/sh89002353
650 6 _aGospel
_zÉtats-Unis (Sud)
_xHistoire et critique.
650 6 _aCulture populaire
_xAspect religieux.
650 7 _aMUSIC
_xReligious
_xGospel.
_2bisacsh
650 7 _aRELIGION
_xChristianity
_xGeneral.
_2bisacsh
650 7 _aGospel music
_2fast
650 7 _aPopular culture
_xReligious aspects
_2fast
651 7 _aSouthern States
_2fast
655 0 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
758 _ihas work:
_aThen sings my soul (Text)
_1https://id.oclc.org/worldcat/entity/E39PCGwXg8jM9QV79TjhDtxp4C
_4https://id.oclc.org/worldcat/ontology/hasWork
776 0 8 _iPrint version:
_tThen sings my soul
_z9780252036972
_w(DLC) 2011045145
830 0 _aMusic in American life.
_0http://id.loc.gov/authorities/names/n42017239
850 _aIT-RoAPU
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=569570
942 _cEB
999 _c171299
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