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008 220302t20122012nyu fo d z eng d
010 _a2011030288
020 _a9780231157490
_qprint
020 _a9780231500715
_qPDF
024 7 _a10.7312/hugh15748
_2doi
035 _a(DE-B1597)9780231500715
035 _a(DE-B1597)458956
035 _a(OCoLC)979573526
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPL957.5.P64
_bH64 2012
050 4 _aPL957.5.P64
_bH64 2014
072 7 _aLIT008000
_2bisacsh
082 0 4 _a895.7093581
_223
084 _aonline - DeGruyter
100 1 _aHughes, Theodore
_eautore
245 1 0 _aLiterature and Film in Cold War South Korea :
_bFreedom's Frontier /
_cTheodore Hughes.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2012]
264 4 _c©2012
300 _a1 online resource (304 p.) :
_b19 illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tLIST OF ILLUSTRATIONS --
_tACKNOWLEDGMENTS --
_tIntroduction --
_t1. Visuality and the Colonial Modern: The Technics of Proletarian Culture, Nativism, Modernism, and Mobilization --
_t2. Visible and Invisible States: Liberation, Occupation, Division --
_t3. Ambivalent Anticommunism: The Politics of Despair and the Erotics of Language --
_t4. Development as Devolution: Overcoming Communism and the "Land of Excrement" Incident --
_t5. Return to the Colonial Present: Translation, Collaboration, Pan-Asianism --
_tPostscript --
_tNotes --
_tSelected Bibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aKorean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910-1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aKorean literature
_y20th century
_xHistory and criticism.
650 0 _aMotion pictures
_xPolitical aspects
_zKorea (South)
650 0 _aMotion pictures
_xPolitical aspects
_zKorea (South).
650 0 _aMotion pictures
_zKorea (South)
_xHistory
_y20th century.
650 0 _aMotion pictures
_zKorea (South)
_y20th century
_xHistory and criticism.
650 0 _aNationalism and literature
_zKorea (South)
650 0 _aNationalism and literature
_zKorea (South).
650 0 _aPolitics in literature.
650 0 _aPolitics in motion pictures.
650 7 _aLITERARY CRITICISM / Asian / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/hugh15748
856 4 0 _uhttps://www.degruyter.com/isbn/9780231500715
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231500715/original
942 _cEB
999 _c182907
_d182907