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008			220302t20052005nyu fo d z eng d
020			_a9780231123709 _qprint
020			_a9780231503228 _qPDF
024	7		_a10.7312/harm12370 _2doi
035			_a(DE-B1597)9780231503228
035			_a(DE-B1597)458924
035			_a(OCoLC)979626316
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1016 _b.C53 2003eb
072		7	_aLIT000000 _2bisacsh
082	0	4	_a809.1 _221
084			_aonline - DeGruyter
245	0	0	_aClassic Writings on Poetry / _ced. by William Harmon.
264		1	_aNew York, NY : _bColumbia University Press, _c[2005]
264		4	_c©2005
300			_a1 online resource (560 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction -- _t1. Plato -- _t2. Aristotle -- _t3. Horace -- _t4. Publius Cornelius Tacitus -- _t5. Longinus(?) -- _t6. Snorri Sturluson -- _t7. Sir Philip Sidney -- _t8. John Milton -- _t9. John Dryden -- _t10. Alexander Pope -- _t11. Samuel Johnson -- _t12. Thomas Gray -- _t13. William Wordsworth -- _t14. Samuel Taylor Coleridge -- _t15. Francis Jeffrey -- _t16. William Hazlitt -- _t17. Thomas Love Peacock -- _t18. George Gordon, Lord Byron -- _t19. Percy Bysshe Shelley -- _t20. William Cullen Bryant -- _t21. John Keats -- _t22. Ralph Waldo Emerson -- _t23. Elizabeth Barrett Browning -- _t24. Henry Wadsworth Longfellow -- _t25. Edgar Allan Poe -- _t26. Walt Whitman -- _t27. Matthew Arnold -- _t28. Emily Dickinson -- _t29. Rudyard Kipling -- _t30. Ezra Pound -- _t31. T. S. Eliot -- _t32. Laura (Riding) Jackson
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre.-Ralph Waldo Emerson, from "The Poet"[The poet] is a seer. he is individual. he is complete in himself. the others are as good as he, only he sees it and they do not. He is not one of the chorus. "-Walt Whitman, from the preface to Leaves of GrassPoetry has always given rise to interpretation, judgment, and controversy. Indeed, the history of poetry criticism is as rich and varied a journey as the history of poetry itself. But classic writings such as Emerson's essay "The Poet" and Whitman's preface to Leaves of Grass serve as more than a critical "call and response": the works are striking examples of how the finest poets themselves have written on poetics and the works of their peers and predecessors-revealing, in the process, much about the theory and passion behind their own works. Spanning thousands of years and including thirty-three of the most influential critical essays ever written, Classic Writings on Poetry is the first major anthology of criticism devoted exclusively to poetry. Beginning with a survey of the history of poetics and providing an introduction and brief biography for each reading, esteemed poet and critic William Harmon takes readers from Plato's Republic and Aristotle's Poetics to the Norse mythology of Snorri Sturluson's Skáldskaparmál. John Dryden's An Essay of Dramatic Poesy and Shelley's A Defence of Poetry are included, as is an excerpt from Elizabeth Barrett Browning's verse novel Aurora Leigh, arriving, finally, at the modernist sensibility of "Poetic Reality and Critical Unreality," by Laura (Riding) Jackson. For anyone interested in the art and artifice of poetry, Classic Writings on Poetry is a journey well worth taking.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aPoetics.
650		0	_aPoetry _xHistory and criticism.
650		7	_aLITERARY CRITICISM / General. _2bisacsh
700	1		_aHarmon, William _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/harm12370
856	4	0	_uhttps://www.degruyter.com/isbn/9780231503228
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231503228/original
942			_cEB
999			_c182959 _d182959