000 04222nam a22005175i 4500
001 183007
003 IT-RoAPU
005 20221214232016.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20022002nyu fo d z eng d
019 _a(OCoLC)1013948303
020 _a9780231122719
_qprint
020 _a9780231504461
_qPDF
024 7 _a10.7312/cheu12270
_2doi
035 _a(DE-B1597)9780231504461
035 _a(DE-B1597)458742
035 _a(OCoLC)979831682
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT004020
_2bisacsh
082 0 4 _a801
084 _aonline - DeGruyter
100 1 _aCheuse, Alan
_eautore
245 1 0 _aListening to the Page :
_bAdventures in Reading and Writing /
_cAlan Cheuse.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2002]
264 4 _c©2002
300 _a1 online resource (256 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tIntroduction: Getting Started; or, Two Thousand Books --
_tPart 1. Reading --
_t1. Writing It Down for James: Some Thoughts on Reading Toward the Millennium --
_t2. Books in Flames: A View of Latin American Literature --
_t3. The Lost Books --
_t4. Hamlet in Haiti: Style in Carpentier's The Kingdom of This World --
_t5. Traces of Light: The Paradoxes of Narrative Painting and Pictorial Fiction --
_t6. Truth as Fiction: Or, the Tail of the Monstrous Peacock --
_t7. The Consolation of Art --
_tPart 2. Rereading --
_t8. You Can Read Wolfe Again --
_t9. Stories of Deep Delight --
_t10. Of Steinbeck and Salinas --
_t11. The Return of James Agee --
_t12. Mario Vargas Llosa and Conversation in the Cathedral: The Question of Naturalism --
_t13. Where Is She Going? Where Has She Been?: Elizabeth Tallent's "No One's a Mystery'' and the Poetry of Female Initiation --
_t14. A Wintry Saga --
_t15. Bernard and Juliet: Romance and Desire in Malamud's High Art --
_t16. Fitzgerald's Christmas Carol, or the Burden of "The Camel's Back'' --
_t17. A Note on Landscape in All the Pretty Horses --
_t18. Rereading Traven --
_tPart 3. Writing --
_t19. Confessions of an Ex-Minimalist --
_t20. On the Contemporary --
_t21. Of the Making of Books --
_t22. Voices: A Conversation
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWhen he sold his first short story to The New Yorker in 1979, Alan Cheuse was hardly new to the literary world. He had studied at Rutgers under John Ciardi, worked at the Breadloaf Writing Workshops with Robert Frost and Ralph Ellison, written hundreds of reviews for Kirkus Reviews, and taught alongside John Gardner and Bernard Malamud at Bennington College for nearly a decade. Soon after the New Yorker story appeared, Cheuse wrote a freelance magazine piece about a new, publicly funded broadcast network called National Public Radio, and a relationship of reviewer and radio was born. In Listening to the Page, Alan Cheuse takes a look back at some of the thousands of books he has read, reviewed, and loved, offering retrospective pieces on modern American literary figures such as Hemingway, Thomas Wolfe, Bernard Malamud, and John Steinbeck, as well as contemporary writers like Elizabeth Tallent and Vassily Aksyonov. Other essays explore landscape in All the Pretty Horses, the career of James Agee, Mario Vargas Llosa and naturalism, and the life and work of Robert Penn Warren.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aLiterature, Modern - 20th century.
650 7 _aLITERARY CRITICISM / American / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/cheu12270
856 4 0 _uhttps://www.degruyter.com/isbn/9780231504461
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231504461/original
942 _cEB
999 _c183007
_d183007