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001			183054
003			IT-RoAPU
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008			220302t20012001nyu fo d z eng d
019			_a(OCoLC)1013937921
020			_a9780231111201 _qprint
020			_a9780231505888 _qPDF
024	7		_a10.7312/nels11120 _2doi
035			_a(DE-B1597)9780231505888
035			_a(DE-B1597)459162
035			_a(OCoLC)979742070
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT004020 _2bisacsh
082	0	4	_a811/.54080355 _221
084			_aonline - DeGruyter
100	1		_aNelson, Deborah _eautore
245	1	0	_aPursuing Privacy in Cold War America / _cDeborah Nelson.
264		1	_aNew York, NY : _bColumbia University Press, _c[2001]
264		4	_c©2001
300			_a1 online resource (232 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aGender and Culture Series
505	0	0	_tFrontmatter -- _tContents -- _tIntroduction:The Death of Privacy -- _tAcknowledgments -- _tOne. Reinventing Privacy -- _tTwo. "Thirsting for the Hierarchic Privacy of Queen Victoria's Century" -- _tThree. Penetrating Privacy -- _tFour. Confessions Between a Woman and Her Doctor -- _tFive. Confessing the Ordinary -- _tNotes -- _tWorks Cited -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aPursuing Privacy in Cold War America explores the relationship between confessional poetry and constitutional privacy doctrine, both of which emerged at the end of the 1950s. While the public declarations of the Supreme Court and the private declamations of the lyric poet may seem unrelated, both express the upheavals in American notions of privacy that marked the Cold War era. Nelson situates the poetry and legal decisions as part of a far wider anxiety about privacy that erupted across the social, cultural, and political spectrum during this period. She explores the panic over the "death of privacy" aroused by broad changes in postwar culture: the growth of suburbia, the advent of television, the popularity of psychoanalysis, the arrival of computer databases, and the spectacles of confession associated with McCarthyism.Examining this interchange between poetry and law at its most intense moments of reflection in the 1960s, '70s, and '80s, Deborah Nelson produces a rhetorical analysis of a privacy concept integral to postwar America's self-definition and to bedrock contradictions in Cold War ideology. Nelson argues that the desire to stabilize privacy in a constitutional right and the movement toward confession in postwar American poetry were not simply manifestations of the anxiety about privacy. Supreme Court justices and confessional poets such as Anne Sexton, Robert Lowell, W. D. Snodgrass, and Sylvia Plath were redefining the nature of privacy itself. Close reading of the poetry alongside the Supreme Court's shifting definitions of privacy in landmark decisions reveals a broader and deeper cultural metaphor at work.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aAmerican poetry _y20th century _xHistory and criticism.
650		0	_aAutobiography in literature.
650		0	_aCold War in literature.
650		0	_aConfession in literature.
650		0	_aLiterature and society _zUnited States _xHistory _y20th century.
650		0	_aPrivacy in literature.
650		0	_aPrivacy _zUnited States _xHistory _y20th century.
650		0	_aPrivacy, Right of _zUnited States _xHistory _y20th century.
650		0	_aSelf in literature.
650		7	_aLITERARY CRITICISM / American / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/nels11120
856	4	0	_uhttps://www.degruyter.com/isbn/9780231505888
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231505888/original
942			_cEB
999			_c183054 _d183054