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| 001 | 183341 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232032.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220302t20022002nyu fo d z eng d | ||
| 019 | _a(OCoLC)979745362 | ||
| 020 |
_a9780231125222 _qprint |
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| 020 |
_a9780231516341 _qPDF |
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| 024 | 7 |
_a10.7312/mill12522 _2doi |
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| 035 | _a(DE-B1597)9780231516341 | ||
| 035 | _a(DE-B1597)459136 | ||
| 035 | _a(OCoLC)51615825 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT003000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMiller, Nancy K. _eautore |
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| 245 | 1 | 0 |
_aBut Enough About Me : _bWhy We Read Other People's Lives / _cNancy K. Miller. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2002] |
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| 264 | 4 | _c©2002 | |
| 300 |
_a1 online resource (160 p.) : _b17 photos |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aGender and Culture Series | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIllustrations -- _tPreface -- _tAcknowledgments -- _t1. But Enough About Me,What Do You Think of My Memoir? -- _t2. Decades -- _t3. Circa 1959 -- _t4. The Marks of Time -- _t5. "Why Am I Not That Woman?" -- _tEpilogue: My Grandfather's Cigarette Case, or What I Learned in Memphis -- _tNotes |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn her latest work of personal criticism, Nancy K. Miller tells the story of how a girl who grew up in the 1950s and got lost in the 1960s became a feminist critic in the 1970s. As in her previous books, Miller interweaves pieces of her autobiography with the memoirs of contemporaries in order to explore the unexpected ways that the stories of other people's lives give meaning to our own. The evolution she chronicles was lived by a generation of literary girls who came of age in the midst of profound social change and, buoyed by the energy of second-wave feminism, became writers, academics, and activists. Miller's recollections form one woman's installment in a collective memoir that is still unfolding, an intimate page of a group portrait in process. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | _aHistory and criticism. | |
| 650 | 7 |
_aLITERARY CRITICISM / Feminist. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/mill12522 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231516341 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231516341/original |
| 942 | _cEB | ||
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_c183341 _d183341 |
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