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008 220302t20102010nyu fo d z eng d
010 _a2009053416
019 _a(OCoLC)750192913
019 _a(OCoLC)979753822
020 _a9780231146708
_qprint
020 _a9780231518406
_qPDF
024 7 _a10.7312/gobl14670
_2doi
035 _a(DE-B1597)9780231518406
035 _a(DE-B1597)458891
035 _a(OCoLC)744775079
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aP96.L5
_bG63 2010
050 4 _aP96.L5
_bG63 2010eb
072 7 _aPER004030
_2bisacsh
082 0 4 _a302.230973
_222
084 _aonline - DeGruyter
100 1 _aGoble, Mark
_eautore
245 1 0 _aBeautiful Circuits :
_bModernism and the Mediated Life /
_cMark Goble.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2010]
264 4 _c©2010
300 _a1 online resource (392 p.) :
_b50 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIllustrations --
_tAcknowledgments --
_tIntroduction: "Communications Now Are Love" --
_tPart One: Communications --
_t1. Pleasure at a Distance in Henry James and Others --
_t2. Love and Noise --
_tPart Two: Records --
_t3. Soundtracks: Modernism, Fidelity, Race --
_t4. The New Permanent Record --
_tEpilogue: Looking Back at Mediums --
_tNotes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aConsidering texts by Henry James, Gertrude Stein, James Weldon Johnson, F. Scott Fitzgerald, Ralph Ellison, Richard Wright, James Agee, and William Carlos Williams, alongside film, painting, music, and popular culture, Mark Goble explores the development of American modernism as it was shaped by its response to technology and an attempt to change how literature itself could communicate.Goble's original readings reinterpret the aesthetics of modernism in the early twentieth century, when new modes of communication made the experience of technology an occasion for profound experimentation and reflection. He follows the assimilation of such "old" media technologies as the telegraph, telephone, and phonograph and their role in inspiring fantasies of connection, which informed a commitment to the materiality of artistic mediums. Describing how relationships made possible by technology became more powerfully experienced with technology, Goble explores a modernist fetish for media that shows no signs of abating. The "mediated life" puts technology into communication with a series of shifts in how Americans conceive the mechanics and meanings of their connections to one another, and therefore to the world and to their own modernity.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aAmerican literature
_y20th century
_xHistory and criticism.
650 0 _aInterpersonal communication
_xTechnological innovations
_xSocial aspects
_zUnited States.
650 0 _aMass media and culture
_zUnited States.
650 0 _aMass media and literature
_zUnited States.
650 0 _aSocial interaction
_xTechnological innovations
_zUnited States.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/gobl14670
856 4 0 _uhttps://www.degruyter.com/isbn/9780231518406
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231518406/original
942 _cEB
999 _c183367
_d183367