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008 220302t20102010nyu fo d z eng d
010 _a2009043390
019 _a(OCoLC)979909904
020 _a9780231147620
_qprint
020 _a9780231519748
_qPDF
024 7 _a10.7312/mold14762
_2doi
035 _a(DE-B1597)9780231519748
035 _a(DE-B1597)459143
035 _a(OCoLC)676731525
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aNB553.D76
_bA615 2010
050 4 _aNB553.D76
_bM65 2010
072 7 _aPHI001000
_2bisacsh
082 0 4 _a709.2
_222
084 _aonline - DeGruyter
100 1 _aMolderings, Herbert
_eautore
245 1 0 _aDuchamp and the Aesthetics of Chance :
_bArt as Experiment /
_cHerbert Molderings.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2010]
264 4 _c©2010
300 _a1 online resource (240 p.) :
_b37 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aColumbia Themes in Philosophy, Social Criticism, and the Arts
505 0 0 _tFrontmatter --
_tContents --
_tList of Illustrations --
_tIntroduction --
_t1. The Idea of the Fabrication --
_t2. The 3 Standard Stoppages in the Context of the Large Glass --
_t3. The 3 Standard Stoppages as Paintings --
_t4. 1936: Duchamp Transforms the Painting Into an Experimental Setup --
_t5. Humorous Application of Non-Euclidean Geometry --
_t6. The Crisis of the Scientific Concept of Truth --
_t7. Pataphysics, Chance, and the Aesthetics of the Possible --
_t8. Radical Individualism --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aMarcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision.Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the "possible." He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aSculpture
_zFrance
_xHistory
_y20th century.
650 7 _aPHILOSOPHY / Aesthetics.
_2bisacsh
700 1 _aBrogden, John
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/mold14762
856 4 0 _uhttps://www.degruyter.com/isbn/9780231519748
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231519748/original
942 _cEB
999 _c183407
_d183407