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| 001 | 183688 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214232049.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220302t20132013nyu fo d z eng d | ||
| 010 | _a2012048137 | ||
| 019 | _a(OCoLC)979575148 | ||
| 019 | _a(OCoLC)999371618 | ||
| 020 |
_a9780231164887 _qprint |
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| 020 |
_a9780231535311 _qPDF |
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| 024 | 7 |
_a10.7312/keen16488 _2doi |
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| 035 | _a(DE-B1597)9780231535311 | ||
| 035 | _a(DE-B1597)458994 | ||
| 035 | _a(OCoLC)855969070 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aPL811.A83 _bZ6776 2013 |
| 050 | 4 |
_aPL811.A83 _bZ6776 2015 |
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| 072 | 7 |
_aBIO007000 _2bisacsh |
|
| 082 | 0 | 4 |
_a895.614 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aKeene, Donald _eautore |
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| 245 | 1 | 4 |
_aThe Winter Sun Shines In : _bA Life of Masaoka Shiki / _cDonald Keene. |
| 264 | 1 |
_aNew York, NY : _bColumbia University Press, _c[2013] |
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| 264 | 4 | _c©2013 | |
| 300 |
_a1 online resource (240 p.) : _b‹B›B&W Photos: ‹/B›14. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aAsia Perspectives: History, Society, and Culture | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction -- _t1. The Early Years -- _t2. Student Days -- _t3. The Song of the Hototogisu -- _t4. Shiki the Novelist -- _t5. Cathay and the Way Thither -- _t6. Sketches from Life -- _t7. Hototogisu -- _t8. Shiki and the Tanka -- _t9. Shintaishi and Kanshi -- _t10. Random Essays ( Zuihitsu ), 1 -- _t11. Random Essays, 2 -- _t12. The Last Days -- _tNotes -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aRather than resist the vast social and cultural changes sweeping Japan in the nineteenth century, the poet Masaoka Shiki (1867-1902) instead incorporated new Western influences into his country's native haiku and tanka verse. By reinvigorating these traditional forms, Shiki released them from outdated conventions and made them more responsive to newer trends in artistic expression. Altogether, his reforms made the haiku Japan's most influential modern cultural export.Using extensive readings of Shiki's own writings and accounts of the poet by his contemporaries and family, Donald Keene charts Shiki's revolutionary (and often contradictory) experiments with haiku and tanka, a dynamic process that made the survival of these traditional genres possible in a globalizing world. Keene particularly highlights random incidents and encounters in his impressionistic portrait of this tragically young life, moments that elicited significant shifts and discoveries in Shiki's work. The push and pull of a profoundly changing society is vividly felt in Keene's narrative, which also includes sharp observations of other recognizable characters, such as the famous novelist and critic Natsume Soseki. In addition, Keene reflects on his own personal relationship with Shiki's work, further developing the nuanced, deeply felt dimensions of its power. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 7 |
_aBIOGRAPHY & AUTOBIOGRAPHY / Literary. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/keen16488 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231535311 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231535311/original |
| 942 | _cEB | ||
| 999 |
_c183688 _d183688 |
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