000 03342nam a22005535i 4500
001 183794
003 IT-RoAPU
005 20221214232054.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20142014nyu fo d z eng d
010 _a2014026068
020 _a9780231166577
_qprint
020 _a9780231538480
_qPDF
024 7 _a10.7312/lowe16656
_2doi
035 _a(DE-B1597)9780231538480
035 _a(DE-B1597)458421
035 _a(OCoLC)979745773
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1995.9.A8
_bL69 2015
072 7 _aPER004030
_2bisacsh
082 0 4 _a302.23/43
_223
084 _aonline - DeGruyter
100 1 _aLowenstein, Adam
_eautore
245 1 0 _aDreaming of Cinema :
_bSpectatorship, Surrealism, and the Age of Digital Media /
_cAdam Lowenstein.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2014]
264 4 _c©2014
300 _a1 online resource (280 p.) :
_b‹B›B&W Illus.: ‹/B›38.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm and Culture Series
505 0 0 _tFrontmatter --
_tContents --
_tIllustrations --
_tAcknowledgments --
_tIntroduction --
_t1. Enlarged Spectatorship --
_t2. Interactive Spectatorship --
_t3. Globalized Spectatorship --
_t4. Posthuman Spectatorship --
_t5. Collaborative Spectatorship --
_tAfterword --
_tNotes --
_tBibliography --
_tIndex --
_tBackmatter
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aVideo games, YouTube channels, Blu-ray discs, and other forms of "new" media have made theatrical cinema seem "old." A sense of "cinema lost" has accompanied the ascent of digital media, and many worry film's capacity to record the real is fundamentally changing. Yet the Surrealist movement never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Returning to their interpretation of film's aesthetics and function, this book reads the writing, films, and art of Luis Buñuel, Salvador Dalí, Man Ray, André Breton, André Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell and recognizes their significance for the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson. Offering a positive alternative to cinema's perceived crisis of realism, this innovative study enriches the meaning of cinematic spectatorship in the twenty-first century.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aMotion picture audiences.
650 0 _aSurrealism in motion pictures.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/lowe16656
856 4 0 _uhttps://www.degruyter.com/isbn/9780231538480
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231538480/original
942 _cEB
999 _c183794
_d183794