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010 _a2014013368
020 _a9780231167048
_qprint
020 _a9780231538640
_qPDF
024 7 _a10.7312/nola16704
_2doi
035 _a(DE-B1597)9780231538640
035 _a(DE-B1597)458451
035 _a(OCoLC)979904304
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPQ3897
_b.N65 2015
072 7 _aLCO007000
_2bisacsh
082 0 4 _a840.9896
_223
084 _aonline - DeGruyter
100 1 _aNoland, Carrie
_eautore
245 1 0 _aVoices of Negritude in Modernist Print :
_bAesthetic Subjectivity, Diaspora, and the Lyric Regime /
_cCarrie Noland.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2015]
264 4 _c©2015
300 _a1 online resource (344 p.) :
_b6 b&w illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aModernist Latitudes
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tIntroduction --
_t1. "Seeing with the Eyes of the Work" (Adorno): Césaire's Cahier and Modernist Print Culture --
_t2. The Empirical Subject in Question: A Drama of Voices in Aimé Césaire's Et les chiens se taisaient --
_t3. Poetry and the Typosphere in Léon-Gontran Damas --
_t4. Léon-Gontran Damas: Writing Rhythm in the Interwar Period --
_t5. Red Front / Black Front: Aimé Césaire and the Affaire Aragon --
_t6. To Inhabit a Wound: A Turn to Language in Martinique --
_tConclusion --
_tAppendix 1. English Translation of Léon-Gontran Damas's "Hoquet" --
_tAppendix 2. English Translation of Aimé Césaire's "Calendrier lagunaire" --
_tNotes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aCarrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized-performed, reiterated, and created anew-by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal-and not merely thematic-elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aAfrican diaspora in literature.
650 0 _aBlacks in literature.
650 0 _aBook industries and trade
_zFrance
_xHistory
_y20th century.
650 0 _aFrench poetry
_xBlack authors
_xHistory and criticism.
650 0 _aFrench poetry
_zForeign countries
_xHistory and criticism.
650 0 _aLiterature
_xAesthetics.
650 0 _aModernism (Aesthetics)
_zFrance.
650 0 _aNegritude (Literary movement)
650 0 _aNegritude (Literary movement).
650 7 _aLITERARY COLLECTIONS / Caribbean & Latin American.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/nola16704
856 4 0 _uhttps://www.degruyter.com/isbn/9780231538640
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231538640/original
942 _cEB
999 _c183810
_d183810