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008 220302t20152015nyu fo d z eng d
010 _a2014048922
019 _a(OCoLC)979739587
020 _a9780231170727
_qprint
020 _a9780231539319
_qPDF
024 7 _a10.7312/kapp17072
_2doi
035 _a(DE-B1597)9780231539319
035 _a(DE-B1597)458382
035 _a(OCoLC)920465848
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1995.9.P6
_bK275 2015
050 4 _aPN1995.9.P6
_bK275 2016
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.436581
_223
084 _aonline - DeGruyter
100 1 _aKappelhoff, Hermann
_eautore
245 1 4 _aThe Politics and Poetics of Cinematic Realism /
_cHermann Kappelhoff.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2015]
264 4 _c©2015
300 _a1 online resource (280 p.) :
_b‹B›40 b&w photographs‹/B›
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aColumbia Themes in Philosophy, Social Criticism, and the Arts
505 0 0 _tFrontmatter --
_tCONTENTS --
_tPREFACE AND ACKNOWLEDGMENTS --
_t1 POETICS AND POLITICS --
_t2 BEFORE THE WAR --
_t3 AFTER THE WAR --
_t4 AFTER '68 --
_t5 BEYOND CLASSICAL HOLLYWOOD CINEMA --
_t6 A NEW SENSITIVITY --
_tNOTES --
_tBIBLIOGRAPHY --
_tINDEX --
_tBackmatter
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aHermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aMotion pictures
_xAesthetics.
650 0 _aMotion pictures
_xPolitical aspects.
650 0 _aPolitics in motion pictures.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
700 1 _aHendrickson, Daniel
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/kapp17072
856 4 0 _uhttps://www.degruyter.com/isbn/9780231539319
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231539319/original
942 _cEB
999 _c183850
_d183850