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010 _a2014035520
020 _a9780231172462
_qprint
020 _a9780231539333
_qPDF
024 7 _a10.7312/vonm17246
_2doi
035 _a(DE-B1597)9780231539333
035 _a(DE-B1597)458538
035 _a(OCoLC)979621011
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aB802
_b.M79 2015
072 7 _aPHI001000
_2bisacsh
082 0 4 _a190.9/033
_223
084 _aonline - DeGruyter
100 1 _avon Mücke, Dorothea
_eautore
245 1 4 _aThe Practices of the Enlightenment :
_bAesthetics, Authorship, and the Public /
_cDorothea von Mücke.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2015]
264 4 _c©2015
300 _a1 online resource (320 p.) :
_b‹B›13 illustrations‹/B›
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aColumbia Themes in Philosophy, Social Criticism, and the Arts
505 0 0 _tFrontmatter --
_tCONTENTS --
_tACKNOWLEDGMENTS --
_tINTRODUCTION --
_tPART I. THE BIRTH OF AESTHETICS, THE ENDS OF TELEOLOGY, AND THE RISE OF GENIUS --
_tINTRODUCTION --
_t1. THE SURPRISING ORIGINS OF ENLIGHTENMENT AESTHETICS --
_t2. DISINTERESTED INTEREST --
_t3. BEAUTIFUL, NOT INTELLIGENT DESIGN --
_t4. ENLIGHTENMENT DISCOURSES ON ORIGINAL GENIUS --
_t5. "WHERE NATURE GIVES THE RULE TO ART" --
_t6. THE STRASBOURG CATHEDRAL --
_tCONCLUSION --
_tPART II. CONFESSIONAL DISCOURSE, AUTOBIOGRAPHY, AND AUTHORSHIP --
_tINTRODUCTION --
_t7. PIETISM --
_t8. ROUSSEAU --
_t9. GOETHE --
_tPART III. IMAGINED COMMUNITIES AND THE MOBILIZATION OF A CRITICAL PUBLIC --
_tINTRODUCTION --
_t10. PATRIOTIC INVOCATIONS OF THE PUBLIC --
_t11. REAL AND VIRTUAL AUDIENCES IN HERDER'S CONCEPT OF THE MODERN PUBLIC --
_t12. MOBILIZING A CRITICAL PUBLIC --
_tNotes --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aRethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment.By engaging with three critical categories-aesthetics, authorship, and the public sphere-The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aAesthetics.
650 0 _aAuthorship.
650 0 _aEnlightenment.
650 7 _aPHILOSOPHY / Aesthetics.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/vonm17246
856 4 0 _uhttps://www.degruyter.com/isbn/9780231539333
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231539333/original
942 _cEB
999 _c183851
_d183851