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020 _a9780231170901
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020 _a9780231539470
_qPDF
035 _a(DE-B1597)9780231539470
035 _a(DE-B1597)458323
035 _a(OCoLC)979683250
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT006000
_2bisacsh
082 0 4 _a809.9112
_qOCoLC
084 _aonline - DeGruyter
100 1 _aFriedman, Susan Stanford
_eautore
245 1 0 _aPlanetary Modernisms :
_bProvocations on Modernity Across Time /
_cSusan Stanford Friedman.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2015]
264 4 _c2015
300 _a1 online resource (472 p.) :
_b‹B›45 illustrations‹/B›
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aModernist Latitudes
505 0 0 _tFrontmatter --
_tCONTENTS --
_tPreface --
_tIntroduction --
_tPART I. RETHINKING MODERNIST STUDIES --
_t1. Definitional Excursions --
_t2. Planetarity --
_tPART II. RETHINKING MODERNITY, SCALING SPACE AND TIME --
_t3. Stories of Modernity: Planetary Scale in the Longue Durée --
_t4. Figures of Modernity: Relational Keywords --
_tPART III. RETHINKING MODERNISM, READING MODERNISMS --
_t5. Modernity’s Modernisms: Aesthetic Scale and Pre-1500 Modernisms --
_t6. Circulating Modernisms: Collages of Empire in Fictions of the Long Twentieth Century --
_t7. Diasporic Modernisms: Journeys “Home” in Long Poems of Aimé Césaire and Theresa Hak Kyung Cha --
_tConclusion. A Debate with Myself --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aDrawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study.Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps the interconnected modernisms of the long twentieth century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and Aimé Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the idea of Négritude. Rejecting the modernist concepts of marginality, othering, and major/minor, Friedman instead favors rupture, mobility, speed, networks, and divergence, elevating the agencies and creative capacities of all cultures not only in the past and present but also in the century to come.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650 0 _aCivilization, Modern.
650 0 _aCosmopolitanism.
650 0 _aModernism (Aesthetics).
650 0 _aModernism (Literature).
650 0 _aPostcolonialism.
650 7 _aLITERARY CRITICISM / Semiotics & Theory.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://www.degruyter.com/isbn/9780231539470
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231539470/original
942 _cEB
999 _c183856
_d183856