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| 001 | 184055 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150217.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 240625t20172017nyu fo d z eng d | ||
| 019 | _a(OCoLC)967876335 | ||
| 020 | _a9780231164061 _qprint | ||
| 020 | _a9780231543057 _qPDF | ||
| 024 | 7 | _a10.7312/matz16406 _2doi | |
| 035 | _a(DE-B1597)9780231543057 | ||
| 035 | _a(DE-B1597)481774 | ||
| 035 | _a(OCoLC)979967785 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aPN56.I5 _bM38 2019 | |
| 072 | 7 | _aLIT004150 _2bisacsh | |
| 082 | 0 | 4 | _a700.411 _223 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aMatz, Jesse _eautore | |
| 245 | 1 | 0 | _aLasting Impressions : _bThe Legacies of Impressionism in Contemporary Culture / _cJesse Matz. | 
| 264 | 1 | _aNew York, NY : _bColumbia University Press, _c[2017] | |
| 264 | 4 | _c©2017 | |
| 300 | _a1 online resource (352 p.) : _b42 b&w illustrations | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aLiterature Now | |
| 505 | 0 | 0 | _tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tINTRODUCTION -- _t1. FIRST AND LASTING -- _t2. THE IMPRESSIONIST ADVERTISEMENT -- _t3. PHOTOGÉNIE FROM RENOIR TO GANCE TO RENOIR -- _t4. THE “IMAGE OF AFRICA” FROM CONRAD TO ACHEBE TO ADICHIE -- _t5. THE IMPRESSIONIST FRAUD -- _t6. CONTEMPORARY IMPRESSIONS, KITSCH AESTHETICS -- _t7. THE PSEUDO-IMPRESSIONIST NOVEL -- _t8. THINKING MEDIUM -- _tCONCLUSION -- _tNOTES -- _tINDEX | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aImpressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists revolutionized the arts and the wider culture. Impressionism transformed the very pattern of reality, introducing new ways to look at and think about the world and our experience of it. Its legacy has been felt in many major contributions to popular and high culture, from cubism and early cinema to the works of Zadie Smith and W. G. Sebald, from advertisements for Pepsi to the observations of Oliver Sacks and Malcolm Gladwell. Yet impressionism's persistence has also been a problem, a matter of inauthenticity, superficiality, and complicity in what is merely "impressionistic" about culture today. Jesse Matz considers these two legacies—the positive and the negative—to explain impressionism's true contemporary significance. As Lasting Impressions moves through contemporary literature, painting, and popular culture, Matz explains how the perceptual role, cultural effects, and social implications of impressionism continue to generate meaning and foster new forms of creativity, understanding, and public engagement. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aArt and literature. | |
| 650 | 0 | _aImpressionism (Art). | |
| 650 | 0 | _aImpressionism in literature. | |
| 650 | 7 | _aLITERARY CRITICISM / European / French. _2bisacsh | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7312/matz16406 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780231543057 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231543057/original | 
| 942 | _cEB | ||
| 999 | _c184055 _d184055 | ||