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001 184153
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006 m|||||o||d||||||||
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008 240625t20172017nyu fo d z eng d
019 _a(OCoLC)967457569
020 _a9780231183024
_qprint
020 _a9780231544504
_qPDF
024 7 _a10.7312/khvo18302
_2doi
035 _a(DE-B1597)9780231544504
035 _a(DE-B1597)480270
035 _a(OCoLC)984688290
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPG3447.V47
072 7 _aLIT000000
_2bisacsh
082 0 4 _a891.73/3
084 _aonline - DeGruyter
100 1 _aKhvoshchinskaya, Sofia
_eautore
245 1 0 _aCity Folk and Country Folk /
_cSofia Khvoshchinskaya.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2017]
264 4 _c©2017
300 _a1 online resource (192 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aRussian Library
505 0 0 _tFrontmatter --
_tCONTENTS --
_tAcknowledgments --
_tIntroduction --
_tNotes on the Translation --
_tPart I. City Folk and Country Folk --
_t1 --
_t2 --
_t3 --
_t4 --
_t5 --
_t6 --
_t7 --
_t8 --
_t9 --
_t10 --
_tPART II. City Folk and Country Folk --
_t11 --
_t12 --
_t13 --
_t14 --
_t15 --
_t16 --
_t17 --
_t18 --
_t19
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aAn unsung gem of nineteenth-century Russian literature, City Folk and Country Folk is a seemingly gentle yet devastating satire of Russia's aristocratic and pseudo-intellectual elites in the 1860s. Translated into English for the first time, the novel weaves an engaging tale of manipulation, infatuation, and female assertiveness that takes place one year after the liberation of the empire's serfs.Upending Russian literary clichés of female passivity and rural gentry benightedness, Sofia Khvoshchinskaya centers her story on a common-sense, hardworking noblewoman and her self-assured daughter living on their small rural estate. The antithesis of the thoughtful, intellectual, and self-denying young heroines created by Khvoshchinskaya's male peers, especially Ivan Turgenev, seventeen-year-old Olenka ultimately helps her mother overcome a sense of duty to her "betters" and leads the two to triumph over the urbanites' financial, amorous, and matrimonial machinations.Sofia Khvoshchinskaya and her writer sisters closely mirror Britain's Brontës, yet Khvoshchinskaya's work contains more of Jane Austen's wit and social repartee, as well as an intellectual engagement reminiscent of Elizabeth Gaskell's condition-of-England novels. Written by a woman under a male pseudonym, this brilliant and entertaining exploration of gender dynamics on a post-emancipation Russian estate offers a fresh and necessary point of comparison with the better-known classics of nineteenth-century world literature.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aCountry life
_zRussia
_xHistory
_y19th century
_vFiction.
650 0 _aGentry
_zRussia
_vFiction.
650 7 _aLITERARY CRITICISM / General.
_2bisacsh
700 1 _aFavorov, Nora
_eautore
700 1 _aHoogenboom, Hilde
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/khvo18302
856 4 0 _uhttps://www.degruyter.com/isbn/9780231544504
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231544504/original
942 _cEB
999 _c184153
_d184153