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001 184253
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008 240625t20202020nyu fo d z eng d
020 _a9780231185165
_qprint
020 _a9780231546034
_qPDF
024 7 _a10.7312/wamp18516
_2doi
035 _a(DE-B1597)9780231546034
035 _a(DE-B1597)563214
035 _a(OCoLC)1163878024
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPQ683
_b.W36 2020
072 7 _aLIT004150
_2bisacsh
082 0 4 _a843/.9209355
_223
084 _aonline - DeGruyter
100 1 _aWampole, Christy
_eautore
245 1 0 _aDegenerative Realism :
_bNovel and Nation in Twenty-First-Century France /
_cChristy Wampole.
264 1 _aNew York, NY :
_bColumbia University Press,
_c[2020]
264 4 _c©2020
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aLiterature Now
505 0 0 _tFrontmatter --
_tCONTENTS --
_tACKNOWLEDGMENTS --
_tIntroduction: What Is Degenerative Realism? --
_t1. Demography and Survival in Twenty- First- Century France --
_t2. Endarkenment from the Minitel to the Internet --
_t3. Real- Time Realism, Part 1: Journalistic Immediacy --
_t4. Real- Time Realism, Part 2: Le roman post- pamphlétaire --
_tConclusion. Novel as Nation: Forms of Parallel Decay --
_tNOTES --
_tBIBLIOGRAPHY --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt.Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writers, Christy Wampole identifies and critiques this emergent tendency toward “degenerative realism.” She considers the ways these writers draw on social science, the New Journalism of the 1960s, political pamphlets, reportage, and social media to construct an atmosphere of disintegration and decline. Wampole maps how degenerative realist novels explore a world contaminated by conspiracy theories, mysticism, and misinformation, responding to the internet age’s confusion between fact and fiction with a lament for the loss of the real and an unrelenting emphasis on the role of the media in crafting reality. In a time of widespread populist anxieties over the perceived decline of the French nation, this book diagnoses the literary symptoms of today’s reactionary revival.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aDespair in literature.
650 0 _aDystopias in literature.
650 0 _aFrench fiction
_y21st century
_xHistory and criticism.
650 0 _aLiterature and society
_zFrance
_xHistory
_y21st century.
650 0 _aRealism in literature.
650 7 _aLITERARY CRITICISM / European / French.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7312/wamp18516
856 4 0 _uhttps://www.degruyter.com/isbn/9780231546034
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780231546034/original
942 _cEB
999 _c184253
_d184253